Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan's 'Gaîté parisienne: Ländler (Allegro)' came out on January 1, 1998. With Gaîté parisienne: Ländler (Allegro) being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "Offenbach: La Gaité parisienne; Chopin: Les Sylphides; Delibes: Coppelia". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. Gaîté parisienne: Ländler (Allegro) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gaîté parisienne: Ländler (Allegro) by Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.5 In E Minor, Op.64, TH.29: 3. Valse (Allegro moderato) | Pyotr Ilyich Tchaikovsky, Wiener Philharmoniker, Herbert von Karajan | E Minor | 3 | 9A | 95 BPM | ||
Das Rheingold, WWV 86A / Erste Szene: "Haltet den Räuber!" | Richard Wagner, Edda Moser, Helen Donath, Anna Reynolds, Berliner Philharmoniker, Herbert von Karajan | G Minor | 0 | 6A | 98 BPM | ||
Le Sacre du Printemps / Pt 2: Le Sacrifice: 6. Danse sacrale: l'élue | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 60 BPM | ||
La vie parisienne, Polka | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 4 | 9B | 105 BPM | ||
La Bayadere, Act II: 30. "Adagio - Gamzatti and Solor" | Evergreen Symphony Orchestra, Kevin Galiè | C Major | 0 | 8B | 139 BPM | ||
Symphony No. 35 in D Major, K. 385 "Haffner": 4. Finale (Presto) | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Herbert von Karajan | D Major | 3 | 10B | 78 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | ||
Symphony No. 3 in A Minor, Op. 56, MWV N 18 - "Scottish": II. Vivace non troppo | Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 123 BPM | ||
Peer Gynt Suite No.1, Op.46: 3. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | ||
Holberg Suite, Op. 40: I. Präludium (Allegro vivace) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 134 BPM |
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