Gioachino Rossini, Royal Philharmonic Orchestra/Lamberto Gardelli, Lamberto Gardelli, Royal Philharmonic Orchestra made "Rossini: Guillaume Tell, Act 3 Scene 2: Danse (Pas de trois. Allegro)" available on 1973. With Rossini: Guillaume Tell, Act 3 Scene 2: Danse (Pas de trois. Allegro) being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 76 in the song's album "Rossini: Guillaume Tell". In this album, this song's track order is #9. In terms of popularity, Rossini: Guillaume Tell, Act 3 Scene 2: Danse (Pas de trois. Allegro) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Rossini: Guillaume Tell, Act 3 Scene 2: Danse (Pas de trois. Allegro) by Gioachino Rossini, Royal Philharmonic Orchestra/Lamberto Gardelli, Lamberto Gardelli, Royal Philharmonic Orchestra having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Anna Bolena: Sinfonia (Overture) | Gaetano Donizetti, Welsh National Opera Orchestra, Richard Bonynge | E Major | 3 | 12B | 146 BPM | ||
Symphony No. 4 in B-Flat Major, Op. 60: IV. Allegro ma non troppo | Ludwig van Beethoven, Nicolaus Esterhazy Sinfonia, Béla Drahos | G Major | 0 | 9B | 139 BPM | ||
Wagner: Lohengrin: "Mein lieber Schwan" (Lohengrin) | Richard Wagner, Michael Spyres, Christophe Rousset, Les Talens Lyriques | G Major | 1 | 9B | 62 BPM | ||
Hungarian Dance No.20 In E Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 1 | 9A | 76 BPM | ||
The Sea: No. 3 Moonlight | Frank Bridge, New Zealand Symphony Orchestra, James Judd | E Minor | 0 | 9A | 78 BPM | ||
Il Barbiere di Siviglia: Ora mi sento | Gioachino Rossini, Cesare Sterbini, Lily Pons, Salvatore Baccaloni, Alberto Erede | A♭ Major | 1 | 4B | 62 BPM | ||
Symphony No.25 In G Minor, K. 173dB (K.183): Andante | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Leonard Bernstein | B♭ Major | 0 | 6B | 93 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 5. R.P.A. (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Minor | 0 | 5A | 83 BPM | ||
L'Italiana in Algeri (The Italian Girl in Algiers): Act II Scene 4: Aria: Ho un gran peso sulla testa (Taddeo, Chorus) | Gioachino Rossini, Lorenzo Regazzo, Ruth Gonzalez, Elsa Giannoulidou, Giulio Mastrototaro, Lawrence Brownlee, Marianna Pizzolato, Bruno De Simone, Transylvania State Philharmonic Choir, Virtuosi Brunensis, Alberto Zedda | B Minor | 0 | 10A | 111 BPM | ||
Romeo and Juliet, Op.64 - Act 1: Madrigal | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 1 | 8B | 138 BPM |
Section: 0.6335625648498535
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