Romeo and Juliet, Op.64 - Act 1: Madrigal - Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel Information

Acousticness: 80%
Danceability: 17%
Energy: 5%
Instrumentalness: 86%
Liveness: 58%
Loudness: 57%
Speechiness: 4%
Valence: 5%
Popularity: 18%
Loudness: -25.777 dB

Summary

"Romeo and Juliet, Op.64 - Act 1: Madrigal" by Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel was released on January 1, 1973. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 39 in the song's album "Prokofiev: Romeo & Juliet". In this album, this song's track order is #14. Based on our statistics, Romeo and Juliet, Op.64 - Act 1: Madrigal's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Romeo and Juliet, Op.64 - Act 1: Madrigal BPM

With Romeo and Juliet, Op.64 - Act 1: Madrigal by Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.

Romeo and Juliet, Op.64 - Act 1: Madrigal Key

This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Romeo and Juliet, Op.64 - Act 3: At Friar Laurence's Cell - Interlude	Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel	F Major	0	7B	101 BPM
Symphony No. 2 in E Minor, Op. 27: II. Allegro molto	Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel	F Major	2	7B	151 BPM
Raymonda, Op. 57: Act II - Variation I	Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov	D♭ Major	0	3B	83 BPM
Elgar: The Music Makers (Ode by Arthur O'Shaughnessy), Op. 69: I. Moderato e nobilmente espressivo (Orchestral Introduction)	Edward Elgar, Dame Janet Baker, Frederic Jackson, Sir Adrian Boult, London Philharmonic Orchestra	C Minor	1	5A	88 BPM
Mendelssohn: Symphony No. 4 in A Major, Op. 90, "Italian": III. Con moto moderato	Felix Mendelssohn, Christian Thielemann, Munich Philharmonic Orchestra	E Major	0	12B	82 BPM
Violin Concerto No. 4 in D Minor, Op. 31: II. Adagio religioso	Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi	E♭ Major	1	5B	66 BPM
Valses nobles et sentimentales, M.61: 5. Presque lent - dans un sentiment intime	Maurice Ravel, Cleveland Orchestra, Pierre Boulez	A♭ Minor	0	1A	76 BPM
Stravinsky: Petrushka, Pt. 1 "The Shrovetide Fair": The Charlatan's Booth - Russian Dance (1947 Version)	Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony Orchestra, Peter Donohoe	A Minor	3	8A	121 BPM
La source, ou Naila: Suite No. 2: Suite No. 2: Scene dansee	Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia	C Major	1	8B	102 BPM
Appalachian Spring: IV. Quite Fast	Aaron Copland, Leonard Bernstein, New York Philharmonic	E Major	3	12B	127 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6977901458740234

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