Stravinsky: Petrushka, Pt. 1 "The Shrovetide Fair": The Charlatan's Booth - Russian Dance (1947 Version)
Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony Orchestra, Peter Donohoe
Stravinsky: The Firebird, Petrushka, Symphony in Three Movements, Scherzo à la russe & Four Studies
2:32 January 1, 2003
BPM
121
Key
A Minor
Camelot
8A

Embed

Share Link

Stravinsky: Petrushka, Pt. 1 "The Shrovetide Fair": The Charlatan's Booth - Russian Dance (1947 Version) - Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony Orchestra, Peter Donohoe Information

Acousticness
94%
Danceability
56%
Energy
35%
Instrumentalness
45%
Liveness
23%
Loudness
71%
Speechiness
4%
Valence
56%
Popularity
Loudness
-17.499 dB

Summary

Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony Orchestra, Peter Donohoe made "Stravinsky: Petrushka, Pt. 1 "The Shrovetide Fair": The Charlatan's Booth - Russian Dance (1947 Version)" available on January 1, 2003. The duration of Stravinsky: Petrushka, Pt. 1 "The Shrovetide Fair": The Charlatan's Booth - Russian Dance (1947 Version) is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Stravinsky: Petrushka, Pt. 1 "The Shrovetide Fair": The Charlatan's Booth - Russian Dance (1947 Version)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Stravinsky: The Firebird, Petrushka, Symphony in Three Movements, Scherzo à la russe & Four Studies". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Stravinsky: Petrushka, Pt. 1 "The Shrovetide Fair": The Charlatan's Booth - Russian Dance (1947 Version)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Stravinsky: Petrushka, Pt. 1 "The Shrovetide Fair": The Charlatan's Booth - Russian Dance (1947 Version) BPM

With Stravinsky: Petrushka, Pt. 1 "The Shrovetide Fair": The Charlatan's Booth - Russian Dance (1947 Version) by Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony Orchestra, Peter Donohoe having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Stravinsky: Petrushka, Pt. 1 "The Shrovetide Fair": The Charlatan's Booth - Russian Dance (1947 Version) Key

This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat by Hector Berlioz, London Symphony Orchestra, Sir Colin DavisSymphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbatHector Berlioz, London Symphony Orchestra, Sir Colin DavisC Minor15A60 BPM
Concerto in G Minor for Organ, Strings and Timpani, FP 93: I. Andante - Live by Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, James O'DonnellConcerto in G Minor for Organ, Strings and Timpani, FP 93: I. Andante - LiveFrancis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, James O'DonnellD Minor07A172 BPM
Symphony No.3 - Symphony No.3 - "Liturgique": 1. "Dies Irae" - Allegro marcatoArthur Honegger, Berliner Philharmoniker, Herbert von KarajanC Major68B143 BPM
Romeo and Juliet, Op. 64 - Act 1: The Street Wakens - Morning Dance by Sergei Prokofiev, Cleveland Orchestra, Lorin MaazelRomeo and Juliet, Op. 64 - Act 1: The Street Wakens - Morning DanceSergei Prokofiev, Cleveland Orchestra, Lorin MaazelG Major29B90 BPM
Printemps, L. 61: II. Modéré by Claude Debussy, Vasily Petrenko, Royal Liverpool Philharmonic OrchestraPrintemps, L. 61: II. ModéréClaude Debussy, Vasily Petrenko, Royal Liverpool Philharmonic OrchestraF♯ Minor211A103 BPM
Symphony In D Minor: 3. Allegro non troppo by César Franck, Deutsches Symphonie-Orchester Berlin, Lorin MaazelSymphony In D Minor: 3. Allegro non troppoCésar Franck, Deutsches Symphonie-Orchester Berlin, Lorin MaazelA Major211B73 BPM
Eine Alpensinfonie: X. Nacht by Richard Strauss, Bernard Haitink, London Symphony OrchestraEine Alpensinfonie: X. NachtRichard Strauss, Bernard Haitink, London Symphony OrchestraB♭ Minor03A86 BPM
Symphonie fantastique, Op. 14, H 48: II. Un Bal by Hector Berlioz, London Symphony Orchestra, Sir Colin DavisSymphonie fantastique, Op. 14, H 48: II. Un BalHector Berlioz, London Symphony Orchestra, Sir Colin DavisA Major111B113 BPM
Viola Sonata: I. Impetuoso by Rebecca Clarke, Philip Dukes, Sophia RahmanViola Sonata: I. ImpetuosoRebecca Clarke, Philip Dukes, Sophia RahmanF Major17B79 BPM
Stravinsky: The Rite of Spring, Pt. 1 Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Adoration of the Earth - Dance of the EarthIgor Stravinsky, City Of Birmingham Symphony Orchestra, Sir Simon RattleD Minor47A115 BPM
ISRC
GBAYC8601594
Label
L-M Records/RCA Records

Section: 0.8708219528198242

End: 0.8771235942840576