"Mendelssohn: Symphony No. 4 in A Major, Op. 90, "Italian": III. Con moto moderato" by Felix Mendelssohn, Christian Thielemann, Munich Philharmonic Orchestra was released on March 24, 2017. Mendelssohn: Symphony No. 4 in A Major, Op. 90, "Italian": III. Con moto moderato is about six minutes long, preciously at 6:27, making this song fairly long compared to other songs. The track order of this song in Felix Mendelssohn, Christian Thielemann, Munich Philharmonic Orchestra's "Mendelssohn: Symphony No. 4, "Italian"" album is number 3 out of 4. On top of that, Saint Lucia appears to be the country where this track was created. Mendelssohn: Symphony No. 4 in A Major, Op. 90, "Italian": III. Con moto moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mendelssohn: Symphony No. 4 in A Major, Op. 90, "Italian": III. Con moto moderato by Felix Mendelssohn, Christian Thielemann, Munich Philharmonic Orchestra to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: II. Romanza: Larghetto | Carl Maria von Weber, Frederieke Saeijs, Nino Gvetadze | B♭ Major | 0 | 6B | 83 BPM | ||
13 Preludes, Op. 32: No. 5 in G Major. Moderato | Sergei Rachmaninoff, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Le tombeau de Couperin (version for orchestra): No. 3. Menuet | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | G Major | 0 | 9B | 86 BPM | ||
Etude-fantasie in E-Flat Major, Op. 4, "Les Vagues" | Vladimir Horowitz, Valery Kuleshov | G Minor | 1 | 6A | 67 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Mendelssohn: Rondo capriccioso in E Major, Op. 14 | Felix Mendelssohn, Doomin Kim | E Minor | 1 | 9A | 163 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Piano Concerto No. 1 in G Minor, Op. 25, MWV O7: 2. Andante | Felix Mendelssohn, Lang Lang, Chicago Symphony Orchestra, Daniel Barenboim | E Major | 0 | 12B | 80 BPM |
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