"Sonata For Viola Solo No. 4, Op.31: 3. Thema mit Variationen: Schnelle Viertel - Langsam - Ziemlich lebhaft" by Paul Hindemith, Kim Kashkashian was released on April 25, 1988. Sonata For Viola Solo No. 4, Op.31: 3. Thema mit Variationen: Schnelle Viertel - Langsam - Ziemlich lebhaft appears to be safe for all ages as it is not explicit. The track order of this song in Paul Hindemith, Kim Kashkashian, Robert Levin's "Hindemith: Sonatas For Viola Alone / Piano And Viola Alone" album is number 3 out of 24. Sonata For Viola Solo No. 4, Op.31: 3. Thema mit Variationen: Schnelle Viertel - Langsam - Ziemlich lebhaft is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonata For Viola Solo No. 4, Op.31: 3. Thema mit Variationen: Schnelle Viertel - Langsam - Ziemlich lebhaft by Paul Hindemith, Kim Kashkashian to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio for Oboe, Bassoon and Piano, FP 43: Andante: Andante con moto | Francis Poulenc, Olivier Doise, Laurent Lefèvre, Alexandre Tharaud | D Major | 0 | 10B | 169 BPM | ||
Suite, Op. 157b: III. Jeu | Darius Milhaud, Jean-Marc Fessard, Frédéric Pélassy, Eliane Reyes | D Major | 1 | 10B | 85 BPM | ||
Viola Sonata: I. Impetuoso | Rebecca Clarke, Philip Dukes, Sophia Rahman | F Major | 1 | 7B | 79 BPM | ||
Loutky (Puppets), H. 92: No. 1. Pierrotovo zastavenicko (Pierrot's Serenade) | Bohuslav Martinů, Giorgio Koukl | G Minor | 0 | 6A | 169 BPM | ||
Lutoslawski : Concerto for Orchestra : I Intrada - Allegro maestoso | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | F♯ Minor | 1 | 11A | 128 BPM | ||
Passacaglia | Rebecca Clarke, Philip Dukes, Sophia Rahman | C Minor | 1 | 5A | 78 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Martin Fröst | D♭ Major | 2 | 3B | 107 BPM | ||
Concerto for Orchestra, Sz. 116: I. Introduzione (Andante non troppo - Allegro vivace) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto (Allegretto) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM |
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