"Concerto for Orchestra, Sz. 116: I. Introduzione (Andante non troppo - Allegro vivace)" by Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez was released on January 1, 1993. Since Concerto for Orchestra, Sz. 116: I. Introduzione (Andante non troppo - Allegro vivace) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 9 in Bartók: Concerto for Orchestra; Orchestral Pieces, Op. 12 by Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Concerto for Orchestra, Sz. 116: I. Introduzione (Andante non troppo - Allegro vivace) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto for Orchestra, Sz. 116: I. Introduzione (Andante non troppo - Allegro vivace) by Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in A Minor, Op. 16: III. Allegro moderato molto e marcato - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | F Major | 1 | 7B | 119 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
Symphonic Metamorphoses on Themes of Carl Maria von Weber: IV. Marsch | Paul Hindemith, Leonard Bernstein, New York Philharmonic | B♭ Major | 3 | 6B | 77 BPM | ||
Piano Concerto No.1 in F sharp minor, Op.1: 2. Andante | Sergei Rachmaninoff, Vladimir Ashkenazy, London Symphony Orchestra, André Previn | D Major | 0 | 10B | 85 BPM | ||
Pomp & Circumstance, Marches #1,2,3, & 4 | Chicago Symphony Orchestra | G Major | 3 | 9B | 114 BPM | ||
Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 1. At The Castle Gate | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 92 BPM | ||
Nocturnes, L.91: II. Fêtes | Claude Debussy, Cleveland Orchestra, Pierre Boulez | D♭ Major | 1 | 3B | 72 BPM | ||
12 Notations pour piano: I Fantasque - Modéré | Pierre Boulez, David Fray | D♭ Major | 0 | 3B | 79 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 5. R.P.A. (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Minor | 0 | 5A | 83 BPM | ||
Variations on a Theme by Haydn, Op. 56a: Theme: "Chorale St. Antoni" | Johannes Brahms, Chicago Symphony Orchestra, Sir Georg Solti | C Major | 1 | 8B | 80 BPM |
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