Claude Debussy, Monique Haas's 'Préludes / Book 2, L. 123: XI. Les tierces alternées' came out on July 11, 2020. The duration of Préludes / Book 2, L. 123: XI. Les tierces alternées is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Préludes / Book 2, L. 123: XI. Les tierces alternées's duration is considered a little bit shorter than the average duration of a typical track. The song is number 18 out of 74 in Debussy - Time by Claude Debussy. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Préludes / Book 2, L. 123: XI. Les tierces alternées is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Préludes / Book 2, L. 123: XI. Les tierces alternées by Claude Debussy, Monique Haas is Larghetto (rather broadly), since this song has a tempo of 61 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Debussy: 2 Arabesques, CD 74, L. 66: No. 1, Andantino con moto | Claude Debussy, Monique Haas | D♭ Minor | 0 | 12A | 81 BPM | ||
D'un cahier d'esquisses, L.99 | Claude Debussy, Nelson Freire | D♭ Major | 0 | 3B | 68 BPM | ||
Le diable dans le beffroi, L. 101, Tableau 1 (Completed & Orchestrated by R. Orledge): Tableau 1: Bonjour, monsieur le haut-sonneur… (Bourgmestre, Haute-sonneur) | Claude Debussy, Eugene Villanueva, Michael Dries, Göttinger Symphonie Orchester, Christoph-Mathias Mueller | E Major | 1 | 12B | 83 BPM | ||
Deux Arabesques, L66: No. 1: Andantino con moto | Claude Debussy, Kathryn Stott | E Major | 0 | 12B | 73 BPM | ||
Visions fugitives, Op.22: 1. Lentamente | Sergei Prokofiev, Anna Gourari | A Minor | 0 | 8A | 0 BPM | ||
Cello Suite No. 1 in G Major, BWV 1007: I. Prélude | Johann Sebastian Bach, Pierre Fournier | G Major | 1 | 9B | 137 BPM | ||
Schumann: Kinderszenen, Op. 15: No. 7, Träumerei | Robert Schumann, Cyprien Katsaris | D♭ Major | 0 | 3B | 94 BPM | ||
Bagatelles et impromptus: VII. Love | Bedřich Smetana, William Howard | A Major | 0 | 11B | 71 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
5 Pieces, Op. 75, "The Trees": No. 3 Aspen | Jean Sibelius, Håvard Gimse | A♭ Minor | 0 | 1A | 0 BPM |
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