- BPM
- 81
- Key
- D♭ Minor
- Camelot
- 12A
Debussy: 2 Arabesques, CD 74, L. 66: No. 1, Andantino con moto - Claude Debussy, Monique Haas Information
- Acousticness
- 99%
- Danceability
- 37%
- Energy
- 5%
- Instrumentalness
- 91%
- Liveness
- 16%
- Loudness
- 58%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 13%
- Loudness
- -25.117 dB
Summary
"Debussy: 2 Arabesques, CD 74, L. 66: No. 1, Andantino con moto" by Claude Debussy, Monique Haas was released on June 18, 2007. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 111 in Debussy & Ravel : Piano Works by Monique Haas. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Debussy: 2 Arabesques, CD 74, L. 66: No. 1, Andantino con moto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Debussy: 2 Arabesques, CD 74, L. 66: No. 1, Andantino con moto BPM
The tempo marking of Debussy: 2 Arabesques, CD 74, L. 66: No. 1, Andantino con moto by Claude Debussy, Monique Haas is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Debussy: 2 Arabesques, CD 74, L. 66: No. 1, Andantino con moto Key
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Dreaming, Op. 15 No. 3 | Amy Beach, Ambache | F Major | 0 | 7B | 75 BPM | |
 | 3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | |
 | Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | |
 | Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | |
 | Sure on This Shining Night, Op. 13 No. 3 (Arr. Parkin for Cello and Piano) | Samuel Barber, Sheku Kanneh-Mason, Isata Kanneh-Mason | B♭ Major | 0 | 6B | 113 BPM | |
 | Salut d'amour, Op. 12 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 80 BPM | |
 | 4 Impromptus, D. 899, Op. 90: No. 3 in G-Flat Major | Franz Schubert, Murray Perahia | C Minor | 5 | 5A | 150 BPM | |
 | Le Carnaval des Animaux, R. 125: 13. The Swan (Arr. Hodge for Cello, Harp & Ensemble) | Camille Saint-Saëns, Sheku Kanneh-Mason, Katherine Thomas, CBSO Cellos | G Major | 1 | 9B | 69 BPM | |
 | 16 Waltzes, Op. 39: No. 15 in A Flat Major | Johannes Brahms, Fabian Müller | A♭ Major | 0 | 4B | 69 BPM | |
 | Rachmaninov: 10 Preludes, Op. 23: No. 5 in G Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 1 | 6A | 113 BPM |
- ISRC
- FRZ207201100
- Label
- L-M Records/RCA Records
Section: 0.6735513210296631
End: 0.6766526699066162