"Salut d'amour, Op. 12" by Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd was released on March 25, 1999. The duration of Salut d'amour, Op. 12 is about 3 minutes long, at 3:19. Based on our data, "Salut d'amour, Op. 12" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 15 in Cello Moods by Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd, Alexander Borodin, Alexander Glazunov, Anonymous, César Franck, Claude Debussy, Edward Elgar, Frédéric Chopin, Giulio Caccini, Johann Sebastian Bach, Josef Rheinberger, Jules Massenet, Luigi Boccherini, Max Bruch. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Salut d'amour, Op. 12 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Salut d'amour, Op. 12 by Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Thaïs: Méditation (Arr. for Violin and Orchestra) | Jules Massenet, Joshua Bell, Nigel Hess, Royal Philharmonic Orchestra | D Major | 2 | 10B | 95 BPM | ||
Ben-Hur: Love Theme | Royal Philharmonic Orchestra | E♭ Major | 1 | 5B | 114 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: 2. Dumka. Allegretto grazioso | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | C Major | 2 | 8B | 97 BPM | ||
Lied ohne Worte, Op. 109 | Felix Mendelssohn, Mischa Maisky, Pavel Gililov | D Major | 1 | 10B | 90 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
Hungarian Dance No.1 In G Minor | Royal Philharmonic Orchestra | G Minor | 3 | 6A | 92 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Staatskapelle Dresden, Silvio Varviso | F Major | 0 | 7B | 88 BPM | ||
Lyric Pieces Book III, Op. 43: No. 6 To Spring | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Elegy, Op. 58 | Edward Elgar, Royal Ballet Sinfonia, Gavin Sutherland | F Minor | 1 | 4A | 112 BPM |
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