"Elegy, Op. 58" by Edward Elgar, Royal Ballet Sinfonia, Gavin Sutherland had its release date on June 3, 2016. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Piano Quintet; The Spanish Lady; La Capricieuse; Serenade Op. 20". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. In terms of popularity, Elegy, Op. 58 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Elegy, Op. 58 by Edward Elgar, Royal Ballet Sinfonia, Gavin Sutherland having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Carnaval des Animaux, R.125: 4. Tortues | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | B♭ Major | 0 | 6B | 83 BPM | ||
Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043: 2. Largo ma non tanto | Johann Sebastian Bach, Arthur Grumiaux, Herman Krebbers, Les Solistes Romands, Arpad Gérecz | F Major | 2 | 7B | 90 BPM | ||
Liszt: 6 Consolations, S. 172: No. 3 in D-Flat Major (Lento placido) | Franz Liszt, Tzimon Barto | D♭ Major | 0 | 3B | 98 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | ||
Thaïs: Médiation | Jules Massenet, Arabella Steinbacher, Orchestre Philharmonique de Monte-Carlo, Lawrence Foster | D Major | 0 | 10B | 91 BPM | ||
Violin Concerto in D Major: II. Aria I | Igor Stravinsky, Sir Neville Marriner, Academy of St. Martin in the Fields, Hilary Hahn | D Minor | 1 | 7A | 96 BPM | ||
Suite No. 1, P. 109: II. Gagliarda: Allegro Marcato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 1 | 10B | 90 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | D Major | 1 | 10B | 114 BPM | ||
Sonata in A Major for Violin and Piano, FWV 8: IV. Allegretto poco mosso | César Franck, Augustin Dumay, Maria João Pires | A Major | 2 | 11B | 73 BPM | ||
Pelléas et Mélisande, Op.80: 1. Prélude | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 134 BPM |