Johann Sebastian Bach, Pierre Fournier's 'Cello Suite No. 1 in G Major, BWV 1007: I. Prélude' came out on January 1, 1961. The duration of Cello Suite No. 1 in G Major, BWV 1007: I. Prélude is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Cello Suite No. 1 in G Major, BWV 1007: I. Prélude's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 36 in Bach: 6 Cello Suites BWV 1007, 1008, 1009, 1010, 1011 & 1012 by Johann Sebastian Bach, Pierre Fournier. Based on our statistics, Cello Suite No. 1 in G Major, BWV 1007: I. Prélude's popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cello Suite No. 1 in G Major, BWV 1007: I. Prélude by Johann Sebastian Bach, Pierre Fournier is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
16 Waltzes, Op. 39: No. 9 In D Minor | Johannes Brahms, Idil Biret | B♭ Major | 0 | 6B | 62 BPM | ||
Solomon, HWV 67 / Act III: Sinfonia "The Arrival of the Queen of Sheba" | George Frideric Handel, The English Concert, Trevor Pinnock | A Major | 3 | 11B | 118 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Martha Argerich | F Major | 0 | 7B | 130 BPM | ||
Cantata, BWV 159: Es ist vollbracht (Arr. Ólafsson for Piano) | Johann Sebastian Bach, Víkingur Ólafsson | B♭ Major | 0 | 6B | 136 BPM | ||
Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Piotr Anderszewski | C Major | 0 | 8B | 173 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro) | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | E Minor | 1 | 9A | 81 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation No. 18 Andante cantabile | Sergei Rachmaninoff, Daniil Trifonov, Philadelphia Orchestra, Yannick Nézet-Séguin | D♭ Major | 1 | 3B | 88 BPM | ||
Andante festivo for Strings and Timpani, JS 34b | Jean Sibelius, Lahti Symphony Orchestra, Osmo Vänskä | G Major | 2 | 9B | 65 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297, "Winter": II. Largo | Antonio Vivaldi, Yehudi Menuhin, Paul Cocker, Alberto Lysy, Camerata Lysy Gstaad | B♭ Major | 1 | 6B | 142 BPM |
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