"Oedipus Rex - Opera-Oratorio in 2 Acts: Act I: "Non reperias vetus scelus"" by Igor Stravinsky, Esa-Pekka Salonen, Swedish Radio Symphony Orchestra was released on 1989. The duration of Oedipus Rex - Opera-Oratorio in 2 Acts: Act I: "Non reperias vetus scelus" is about 3 minutes long, at 3:28. Based on our data, "Oedipus Rex - Opera-Oratorio in 2 Acts: Act I: "Non reperias vetus scelus"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 163 in Esa-Pekka Salonen Conducts Stravinsky by Igor Stravinsky, Esa-Pekka Salonen. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Oedipus Rex - Opera-Oratorio in 2 Acts: Act I: "Non reperias vetus scelus" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Oedipus Rex - Opera-Oratorio in 2 Acts: Act I: "Non reperias vetus scelus" by Igor Stravinsky, Esa-Pekka Salonen, Swedish Radio Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Stravinsky: The Rite of Spring, Pt. 2 "The Sacrifice": Mystic Circles of the Young Girls | Igor Stravinsky, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | D Minor | 4 | 7A | 115 BPM | ||
Concerto for 2 Pianos and Orchestra in D minor, FP 61: 1. Allegro ma non troppo | Francis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | E♭ Major | 1 | 5B | 99 BPM | ||
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: Ritual of Abduction | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | D Minor | 6 | 7A | 103 BPM | ||
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM | ||
Quatuor pour la fin du Temps: II. Vocalise, pour l'Ange qui annonce la fin du Temps | Olivier Messiaen, Martin Fröst | F♯ Minor | 0 | 11A | 97 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: III. A tempo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | B♭ Minor | 1 | 3A | 86 BPM | ||
Ravel: Ma mère l'oye, M. 60: I. Pavane de la Belle au bois dormant | Maurice Ravel, Rotterdam Philharmonic Orchestra/Yannick Nézet-Séguin, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A Minor | 0 | 8A | 65 BPM | ||
Symphony No. 4: II. In gemächlicher Bewegung. Ohne Hast | Gustav Mahler, Berliner Philharmoniker, Yannick Nézet-Séguin | C Major | 0 | 8B | 135 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 11. G.R.S. (Allegro di molto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | D Major | 3 | 10B | 85 BPM |
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