"Concerto for 2 Pianos and Orchestra in D minor, FP 61: 1. Allegro ma non troppo" by Francis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit was released on September 6, 1993. Since Concerto for 2 Pianos and Orchestra in D minor, FP 61: 1. Allegro ma non troppo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Poulenc: Piano Concerto; Concerto For Two Pianos; Organ Concerto". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Concerto for 2 Pianos and Orchestra in D minor, FP 61: 1. Allegro ma non troppo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto for 2 Pianos and Orchestra in D minor, FP 61: 1. Allegro ma non troppo by Francis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio (Excerpt) | Max Bruch, Yehudi Menuhin, Philharmonia Orchestra, Walter Susskind | E♭ Major | 1 | 5B | 105 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26 - III. Finale. Allegro energico | Max Bruch, Randall Goosby, Philadelphia Orchestra, Yannick Nézet-Séguin | G Major | 1 | 9B | 91 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: VI. Passacaglia | Ottorino Respighi, Konstantin Scherbakov | G Minor | 2 | 6A | 96 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | E Major | 1 | 12B | 137 BPM | ||
String Quartet No. 2 in D Major: II. Scherzo: Allegro | Alexander Borodin, Budapest Haydn Quartet | F Major | 1 | 7B | 107 BPM | ||
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
Schumann: Cello Concerto in A Minor, Op. 129: II. Langsam | Robert Schumann, Jacqueline du Pré, Daniel Barenboim, New Philharmonia Orchestra | F Major | 1 | 7B | 85 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Children's Corner, L. 113: 6. Golliwogg's Cakewalk | Claude Debussy, Pascal Rogé | E♭ Minor | 0 | 2A | 105 BPM | ||
Concierto de Aranjuez: II. Adagio | Joaquín Rodrigo, John Williams, Louis Frémaux, Philharmonia Orchestra | B Minor | 1 | 10A | 111 BPM |
Section: 0.7247438430786133
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