"Concierto de Aranjuez: II. Adagio" by Joaquín Rodrigo, John Williams, Louis Frémaux, Philharmonia Orchestra was released on 1984. Concierto de Aranjuez: II. Adagio appears to be safe for all ages as it is not explicit. There are a total of 7 in the song's album "Rodrigo: Concierto de Aranjuez & Fantasía para un Gentilhombre". In this album, this song's track order is #2. In terms of popularity, Concierto de Aranjuez: II. Adagio is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concierto de Aranjuez: II. Adagio by Joaquín Rodrigo, John Williams, Louis Frémaux, Philharmonia Orchestra having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.3 in F, Op.90: 3. Poco allegretto | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Minor | 1 | 5A | 82 BPM | ||
Como llora una estrella | Antonio Carillo, John Williams | A Minor | 2 | 8A | 131 BPM | ||
Octopussy (Arr. C. Egan) | Philharmonia Orchestra, Carl Davis | A♭ Major | 2 | 4B | 79 BPM | ||
12 Preludes: No. 3, — | Manuel Ponce, John Williams | F Minor | 0 | 4A | 94 BPM | ||
Fauré: 3 Mélodies, Op. 7: No. 1, Après un rêve (Arr. for Cello and Orchestra) | Gabriel Fauré, Han-Na Chang, Leonard Slatkin, Philharmonia Orchestra | F Minor | 1 | 4A | 82 BPM | ||
Barber: Adagio for Strings, Op. 11 | Samuel Barber, Eugene Ormandy, Philadelphia Orchestra | B♭ Minor | 1 | 3A | 80 BPM | ||
Forgotten Dreams | Leroy Anderson, Iain Sutherland Concert Orchestra, Iain Sutherland | A Minor | 6 | 8A | 125 BPM | ||
Lakmé: Flower Duet (Dôme épais) | Lesley Garrett, Andrew Greenwood, Philharmonia Orchestra | B Major | 2 | 1B | 106 BPM | ||
The Sorcerer's Apprentice | Philharmonia Orchestra | D♭ Major | 2 | 3B | 130 BPM | ||
Ladies In Lavender - Main Theme - (Ladies in Lavender) | Nigel Hess, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | D Major | 2 | 10B | 87 BPM |
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