"Peer Gynt Suite N°2, Op. 55: IV. Solveig's Song" by London Symphony Orchestra was released on January 11, 2010. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 100 in the song's album "The London Symphony Orchestra: The Top 100 of Classical Music". In this album, this song's track order is #12. Peer Gynt Suite N°2, Op. 55: IV. Solveig's Song is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Peer Gynt Suite N°2, Op. 55: IV. Solveig's Song by London Symphony Orchestra having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Charpentier: Te Deum in D Major, H 146: I. Prelude | London Symphony Orchestra, Gordan Nikolitch (Conductor) | E♭ Major | 0 | 5B | 73 BPM | ||
Die Walkure, Act III Scene 3: Feuerzauber | Richard Wagner, Budapest Symphony Orchestra, György Lehel | A Major | 1 | 11B | 78 BPM | ||
Fanfare for the Common Man | Aaron Copland, London Symphony Orchestra | B♭ Major | 2 | 6B | 55 BPM | ||
Piano Concerto in A Minor, Op. 16: II. Adagio | Edvard Grieg, Cecile Ousset, Sir Neville Marriner, London Symphony Orchestra | D♭ Major | 0 | 3B | 82 BPM | ||
" Faust " , Ballettmusik: Nr. 5 Moderato con moto | Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt | A Major | 0 | 11B | 80 BPM | ||
Waltz in C-sharp minor, Op. 64: N°2 | Luc Devos | D♭ Minor | 1 | 12A | 139 BPM | ||
Elgar / Transc. Walter: Salut d'amour, Op. 12 | Edward Elgar, Gautier Capuçon, Deborah Nemtanu, Douglas Boyd, Orchestre de chambre de Paris | E Major | 1 | 12B | 83 BPM | ||
Sylvia: Cortege de Bacchus | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | E Major | 2 | 12B | 112 BPM | ||
Concerto "The Four Seasons" in E major, Op. 8 No. 1 "Spring", RV 269: I. Allegro | The London Symphony Orchestra and Others | E Major | 2 | 12B | 106 BPM | ||
Les Sylphides: 7. Valse | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | D♭ Minor | 1 | 12A | 79 BPM |
Section: 0.6352050304412842
End: 0.6404116153717041