"" Faust " , Ballettmusik: Nr. 5 Moderato con moto" by Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt was released on September 28, 1998. The duration of " Faust " , Ballettmusik: Nr. 5 Moderato con moto is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. " Faust " , Ballettmusik: Nr. 5 Moderato con moto's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Smetana: " Die Moldau " - Dvorák: Slawischer Tanz Nr. 10, Op. 72 - Gounod: Ballettmusik aus " Faust " - Adam: Ouvertüre zu " Wenn ich König wär "". In this album, this song's track order is #7. " Faust " , Ballettmusik: Nr. 5 Moderato con moto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With " Faust " , Ballettmusik: Nr. 5 Moderato con moto by Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Raymonda, Act III: Variation for male dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 0 | 4B | 61 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": III. Allegro "La caccia" | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | C Major | 2 | 8B | 154 BPM | ||
Saint-Saëns: Le carnaval des animaux, R 125: VII. Aquarium | Camille Saint-Saëns, Gennady Rozhdestvensky, Alain Meunier, Amy Flammer, Didier Benetti, Jean Dupouy, Jeanne-Marie Conquier, Philippe Pierlot, Viktoria Postnikova | A Minor | 1 | 8A | 134 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico | Max Bruch, Sir Malcolm Sargent, Jascha Heifetz | C Minor | 4 | 5A | 147 BPM | ||
Trio For Flute, Piano And Cello No. 31 In G Major - II. Andante | The Jane Austen Era | C Major | 1 | 8B | 95 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Philharmonia Orchestra, Giuseppe Sinopoli | E♭ Major | 1 | 5B | 66 BPM | ||
Instruments Of The Orchestra: Prokofiev: Peter And The Wolf: The Duck | Jeremy Siepmann | A♭ Major | 0 | 4B | 94 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
The Carnival of the Animals, R.125: XIV. Finale | Camille Saint-Saëns, Cologne New Philharmonic, Nataša Majer, Ana Pišpek, Volker Hartung | C Major | 4 | 8B | 101 BPM | ||
Xerxes, HWV 40: Largo | Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt | G Major | 2 | 9B | 83 BPM |
Section: 0.9455294609069824
End: 0.9485523700714111