Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) - Edward Elgar, Philharmonia Orchestra, Giuseppe Sinopoli Information

Acousticness: 90%
Danceability: 18%
Energy: 11%
Instrumentalness: 87%
Liveness: 12%
Loudness: 67%
Speechiness: 4%
Valence: 4%
Popularity: 4%
Loudness: -19.802 dB

Summary

"Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio)" by Edward Elgar, Philharmonia Orchestra, Giuseppe Sinopoli was released on January 1, 2003. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 14 out of 21 in Elgar: Cello Concerto op.85 · Enigma Variations · Pomp and Circumstance 1 & 4 by Edward Elgar, Mischa Maisky, Giuseppe Sinopoli, Philharmonia Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) BPM

The tempo marking of Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) by Edward Elgar, Philharmonia Orchestra, Giuseppe Sinopoli is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) Key

E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Sibelius : Symphony No.5 in E flat major Op.82 : II Andante mosso, quasi allegretto	Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra	G Major	0	9B	142 BPM
Mussorgsky: Pictures at an Exhibition: No. 15, The Knight's Gate in the Old Capital of Kiev	Modest Mussorgsky, Sir Simon Rattle, Berliner Philharmoniker	E♭ Major	2	5B	85 BPM
Debussy: Petite Suite En bateau 드뷔시 작은 모음곡 1곡 조각배로	김준영	G Major	1	9B	76 BPM
Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity	Gustav Holst, Philharmonia Orchestra, Sir Simon Rattle	C Major	2	8B	177 BPM
Symphony No. 3 - 'Pastoral Symphony': I. Molto moderato	Ralph Vaughan Williams, Hallé, Sir Mark Elder	A Minor	0	8A	81 BPM
Prince Igor, Act II: Polovtsian Dances, Dance I	Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France	F Major	1	7B	97 BPM
Ein Heldenleben, Op. 40, TrV 190: Der Held (The Hero) -	Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink	E♭ Major	2	5B	88 BPM
Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto	Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner	E Major	1	12B	137 BPM
Mozart: Così fan tutte, K. 588, Act 1: Terzettino. "Soave sia il vento" (Fiordiligi, Dorabella, Don Alfonso)	Wolfgang Amadeus Mozart, Karl Böhm, Christa Ludwig, Elisabeth Schwarzkopf, Heinrich Schmidt, Walter Berry, Philharmonia Orchestra	E Major	1	12B	124 BPM
Appalachian Spring - 1945 Suite: 1. Very slowly	Aaron Copland, London Symphony Orchestra, Antal Doráti	A Major	1	11B	84 BPM

ISRC: DEF058731601
Label: L-M Records/RCA Records

Section: 0.8569347858428955

End: 0.8609647750854492