- BPM
- 84
- Key
- A Major
- Camelot
- 11B
Appalachian Spring - 1945 Suite: 1. Very slowly - Aaron Copland, London Symphony Orchestra, Antal Doráti Information
- Acousticness
- 94%
- Danceability
- 16%
- Energy
- 5%
- Instrumentalness
- 88%
- Liveness
- 15%
- Loudness
- 45%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 12%
- Loudness
- -33.049 dB
Summary
"Appalachian Spring - 1945 Suite: 1. Very slowly" by Aaron Copland, London Symphony Orchestra, Antal Doráti was released on January 1, 1991. The duration of Appalachian Spring - 1945 Suite: 1. Very slowly is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Appalachian Spring - 1945 Suite: 1. Very slowly's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 19 in Copland: Appalachian Spring; Billy the Kid; El Salon Mexico; Danzon Cubano by Aaron Copland, London Symphony Orchestra, Minnesota Orchestra, Antal Doráti. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Appalachian Spring - 1945 Suite: 1. Very slowly is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Appalachian Spring - 1945 Suite: 1. Very slowly BPM
The tempo marking of Appalachian Spring - 1945 Suite: 1. Very slowly by Aaron Copland, London Symphony Orchestra, Antal Doráti is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Appalachian Spring - 1945 Suite: 1. Very slowly Key
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Kinderszenen, Op. 15, No. 7: Träumerei | Slovak State Philharmonic Orchestra, Christian Ehwald | F Major | 0 | 7B | 75 BPM | |
 | Adagio in F, H.XVII No.9 | Franz Joseph Haydn, John McCabe | F Major | 0 | 7B | 64 BPM | |
 | Appalachian Spring: I. Very Slowly | Aaron Copland, Leonard Bernstein, New York Philharmonic | A Major | 0 | 11B | 78 BPM | |
 | Quiet City | Aaron Copland, Paula Engerer, Scott Moore, Nashville Chamber Orchestra, Paul Gambill | F Major | 0 | 7B | 72 BPM | |
 | Symphony No. 1 in D Minor, Op. 13: III. Larghetto | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | C Minor | 0 | 5A | 75 BPM | |
 | Alone with Numbers | Alexandre Desplat, London Symphony Orchestra | D Minor | 1 | 7A | 168 BPM | |
 | Peer Gynt Suite No.2 op. 55 Abduction and Ingrid's Lament Allegro furioso-Andante doloroso) | Academy of St. Martin in the Fields | G Minor | 0 | 6A | 133 BPM | |
 | Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 3, The Street awakens | Sergei Prokofiev, André Previn, London Symphony Orchestra | D Major | 0 | 10B | 121 BPM | |
 | Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, János Starker, György Sebök | B♭ Major | 0 | 6B | 62 BPM | |
 | Ne zazhigy ognya !, Op. 38, No. 3 | Anton Arensky, Mischa Maisky, Pavel Gililov | F Major | 0 | 7B | 93 BPM |
- ISRC
- NLA506100481
- Label
- L-M Records/RCA Records
Section: 0.7246084213256836
End: 0.7286758422851562