Franz Joseph Haydn, John McCabe's 'Adagio in F, H.XVII No.9' came out on January 1, 1995. With this song being about 5 minutes long, at 4:36, "Adagio in F, H.XVII No.9" by Franz Joseph Haydn, John McCabe is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Joseph Haydn, John McCabe's "Haydn: The Piano Sonatas/Variations/The Seven Last Words" album is number 7 out of 177. Adagio in F, H.XVII No.9 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Adagio in F, H.XVII No.9 by Franz Joseph Haydn, John McCabe to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto no. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Kirill Kondrashin, Staatliches Sinfonie Orchester Istanbul | C Minor | 0 | 5A | 73 BPM | ||
Suite No.1 for 2 Pianos, Op.5: 2. A Night For Love | Sergei Rachmaninoff, Vladimir Ashkenazy, André Previn | A Major | 1 | 11B | 64 BPM | ||
Dvořák: Piano Trio No. 4 in E Minor, Op. 90, B. 166 "Dumky": V. Allegro - Meno mosso | Antonín Dvořák, Beaux Arts Trio | A Minor | 1 | 8A | 93 BPM | ||
Waldszenen, Op. 82: No. 7 Vogel als Prophet | Robert Schumann, Wilhelm Kempff | E Major | 0 | 12B | 120 BPM | ||
String Quartet No.12 In F Major, Op.96 - "American" B.179: 4. Finale (Vivace ma non troppo) | Antonín Dvořák, Hagen Quartett | F Major | 1 | 7B | 80 BPM | ||
The Seven Last Words of Christ, Hob.XX:2: Sonata II "Fürwahr, ich sag' es dir" (Grave e cantabile) | Franz Joseph Haydn, Cuarteto Casals | C Minor | 0 | 5A | 77 BPM | ||
Rimsky-Korsakov: The Tale of Tsar Saltan, Act III: The Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 0 | 9B | 86 BPM | ||
6 Moments musicaux, Op. 16: No. 1, Andantino | Sergei Rachmaninoff, Boris Giltburg | E Minor | 2 | 9A | 126 BPM | ||
Piano Concerto No. 3 in D Minor, Op. 30: II. Intermezzo. Adagio | Sergei Rachmaninoff, Jascha Horenstein, Royal Philharmonic Orchestra, Earl Wild | D♭ Major | 1 | 3B | 63 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Agnus Dei: Dona nobis pacem | Franz Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 2 | 10B | 128 BPM |
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