"Piano Concerto No. 3 in D Minor, Op. 30: II. Intermezzo. Adagio" by Sergei Rachmaninoff, Jascha Horenstein, Royal Philharmonic Orchestra, Earl Wild was released on May 1, 1987. Since Piano Concerto No. 3 in D Minor, Op. 30: II. Intermezzo. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Rachmaninoff: Piano Concertos Nos. 1-4 & Rhapsody on a Theme of Paganini". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Piano Concerto No. 3 in D Minor, Op. 30: II. Intermezzo. Adagio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 3 in D Minor, Op. 30: II. Intermezzo. Adagio by Sergei Rachmaninoff, Jascha Horenstein, Royal Philharmonic Orchestra, Earl Wild having a BPM of 63 with a half-time of 32 BPM and a double-time of 126 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Trio in D Minor, Op. 120: I. Allegro, ma non troppo | Gabriel Fauré, Pierre Fouchenneret, Raphaël Merlin, Simon Zaoui | G Minor | 1 | 6A | 88 BPM | ||
Piano Concerto No. 1 in B-Flat Minor, Op. 23: Andantino simplice | Pyotr Ilyich Tchaikovsky, Van Cliburn, Kirill Kondrashin | D♭ Major | 0 | 3B | 98 BPM | ||
Prokofiev: Piano Concerto No. 1 in D-Flat Major, Op. 10: I. Allegro brioso | Sergei Prokofiev, Martha Argerich, Orchestre Symphonique de Montréal, Charles Dutoit | D Major | 3 | 10B | 120 BPM | ||
Piano Concerto No.1 In G Minor, Op.25, MWV O7: 3. Presto | Felix Mendelssohn, Jean-Yves Thibaudet, Gewandhausorchester, Herbert Blomstedt | G Major | 2 | 9B | 97 BPM | ||
Mélodie, Op. 20, No. 1 | Alexander Glazunov, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 84 BPM | ||
Cello Concerto in A Minor, Op. 129: II. Langsam | Robert Schumann, Yo-Yo Ma, Sir Colin Davis, Bavarian Radio Symphony Orchestra | F Major | 0 | 7B | 86 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
Primavera | Ludovico Einaudi, Robert Ziegler, Royal Philharmonic Orchestra | C Minor | 2 | 5A | 142 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, John McCabe | F Major | 0 | 7B | 64 BPM | ||
From Holberg's Time, Op. 40: III. Gavotte: Allegretto - Musette: Un poco mosso - Gavotte | Edvard Grieg, Moscow Soloists, Yuri Bashmet | E♭ Major | 2 | 5B | 74 BPM |
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