"Piano Concerto in A Minor, Op. 16: II. Adagio" by Edvard Grieg, Cecile Ousset, Sir Neville Marriner, London Symphony Orchestra was released on January 22, 2021. Since Piano Concerto in A Minor, Op. 16: II. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 72 in the song's album "Sleeping - Grieg". In this album, this song's track order is #4. Piano Concerto in A Minor, Op. 16: II. Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto in A Minor, Op. 16: II. Adagio by Edvard Grieg, Cecile Ousset, Sir Neville Marriner, London Symphony Orchestra having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pavane Op. 50 (orch. version, 1887) - 1993 Remastered Version | Gabriel Fauré, New Philharmonia Orchestra/Sir David Willcocks/Gareth Morris, Sir David Willcocks, New Philharmonia Orchestra | F♯ Minor | 0 | 11A | 130 BPM | ||
Pavane pour une infante défunte (Pavane for a Dead Princess), M. 19 | London Symphony Orchestra | G Major | 1 | 9B | 74 BPM | ||
Cello Concerto in E Minor, Op.85 (1997 - Remaster): IV. Allegro - Moderato - Allegro, ma non troppo | Edward Elgar, Jacqueline du Pré, Sir John Barbirolli, London Symphony Orchestra | E Minor | 1 | 9A | 97 BPM | ||
Symphony No. 5: IV. Adagietto. Sehr langsam | Gustav Mahler, Valery Gergiev, London Symphony Orchestra | F Major | 0 | 7B | 66 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
Bach, JS: Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: I. — | Johann Sebastian Bach, Sir Neville Marriner, Anthony Jenkins, Charles Medlam, Denis Vigay, John Constable, Raymund Koster, Stephen Shingles, William Hunt, Academy of St. Martin in the Fields | B♭ Major | 1 | 6B | 168 BPM | ||
Double Concerto for 2 Violins, Strings & Continuo in D Minor, BWV 1043: 2. Largo ma non tanto | Johann Sebastian Bach, Henryk Szeryng, Maurice Hasson, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 0 | 10A | 180 BPM | ||
Purcell: Timon of Athens, Z. 632, Overture: III. March | Henry Purcell, Maurice André, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 2 | 10B | 108 BPM | ||
Frühlingslied Op.62 No.6 | Felix Mendelssohn, Jean-Bernard Pommier | A Major | 1 | 11B | 175 BPM | ||
Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio | Joaquín Rodrigo, Pepe Romero, Christine Pendrill, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 0 | 10A | 70 BPM |
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