"Double Concerto for 2 Violins, Strings & Continuo in D Minor, BWV 1043: 2. Largo ma non tanto" by Johann Sebastian Bach, Henryk Szeryng, Maurice Hasson, Academy of St. Martin in the Fields, Sir Neville Marriner was released on January 1, 1976. Double Concerto for 2 Violins, Strings & Continuo in D Minor, BWV 1043: 2. Largo ma non tanto is about six minutes long, preciously at 6:28, making this song fairly long compared to other songs. The song is number 8 out of 10 in Bach, J.S.: Violin Concertos; Concerto for 2 Violins; Air from Suite No.3 by Johann Sebastian Bach, Henryk Szeryng, Maurice Hasson, Academy of St. Martin in the Fields, Sir Neville Marriner. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. The popularity of Double Concerto for 2 Violins, Strings & Continuo in D Minor, BWV 1043: 2. Largo ma non tanto is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Double Concerto for 2 Violins, Strings & Continuo in D Minor, BWV 1043: 2. Largo ma non tanto by Johann Sebastian Bach, Henryk Szeryng, Maurice Hasson, Academy of St. Martin in the Fields, Sir Neville Marriner is Presto (very, very fast), since this song has a tempo of 180 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Goldberg Variations, BWV 988: Aria | Johann Sebastian Bach, András Schiff | G Major | 0 | 9B | 64 BPM | ||
Variations on a Theme by Haydn, Op. 56a, "St. Anthony Variations": Thema, "Chorale St. Antoni": Andante | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | F♯ Major | 3 | 2B | 125 BPM | ||
Violin Concerto in D Major: I. Toccata | Igor Stravinsky, Sir Neville Marriner, Academy of St. Martin in the Fields, Hilary Hahn | G Major | 3 | 9B | 114 BPM | ||
Violin Concerto In E Minor, Op. 64, MWV O14: II. Andante | Felix Mendelssohn, Anne-Sophie Mutter, Gewandhausorchester, Kurt Masur | C Major | 1 | 8B | 103 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 2 | 12A | 118 BPM | ||
Concerto pour violon "Les Rainettes", en La Majeur: Concerto pour violon "Les Rainettes", en La Majeur: I. Ohne Satzbezeichnung | Georg Philipp Telemann, Midori Seiler, Stephan Mai, Akademie für Alte Musik Berlin | A♭ Major | 2 | 4B | 117 BPM | ||
Telemann: Ouverture-Suite for Recorder and Strings in A Minor, TWV 55:a2: I. Ouverture | Georg Philipp Telemann, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields | B♭ Major | 3 | 6B | 105 BPM | ||
Ich glaube, lieber Herr, hilf meinen Unglauben (Chorus) | Johann Sebastian Bach, Gabriele Schreckenbach, Kurt Equiluz, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | A Minor | 3 | 8A | 130 BPM | ||
Concerto in F Major, Seibel 234: 1. Vivace | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 133 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM |
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