Luc Devos's 'Waltz in C-sharp minor, Op. 64: N°2' came out on January 11, 2010. The duration of Waltz in C-sharp minor, Op. 64: N°2 is about 3 minutes long, at 3:27. Based on our data, "Waltz in C-sharp minor, Op. 64: N°2" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 100 in the song's album "The London Symphony Orchestra: The Top 100 of Classical Music". In this album, this song's track order is #5. Based on our statistics, Waltz in C-sharp minor, Op. 64: N°2's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Waltz in C-sharp minor, Op. 64: N°2 by Luc Devos having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rage Over A Lost Penny (Rondo A Capiriccia Op. 129) | The Jane Austen Era | G Major | 2 | 9B | 153 BPM | ||
The Sleeping Beauty, Op. 66: No. 3 Scène dansante | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden | A Major | 1 | 11B | 73 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): V. La garde montante | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Violin Concerto N°1 in D, Op. 6: III. Rondo (Allegro spirituoso) | The London Symphony Orchestra - Gordan Nikolitch (violin) | A Major | 1 | 11B | 103 BPM | ||
Giselle: Act I: Retour de la vendange et valse (The Grape-Pickers Return) | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 134 BPM | ||
Rachmaninov: Piano Concerto No. 3 in D Minor, Op. 30: I. Allegro ma non tanto (Excerpt) | Sergei Rachmaninoff, Alexis Weissenberg, Leonard Bernstein, Orchestre National De France | C Major | 3 | 8B | 88 BPM | ||
Cinderella, Op. 87: 12. Spring Fairy | Sergei Prokofiev, Russian National Orchestra, Mikhail Pletnev | D Major | 0 | 10B | 128 BPM | ||
Sixty Minutes Polka | Alma Deutscher | D Major | 1 | 10B | 107 BPM | ||
Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
Gymnopédie N°1 | Yuli Lavrénov | G Major | 0 | 9B | 65 BPM |
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