The Jane Austen Era made "Rage Over A Lost Penny (Rondo A Capiriccia Op. 129)" available on September 29, 2009. Rage Over A Lost Penny (Rondo A Capiriccia Op. 129) is about six minutes long, preciously at 6:14, making this song fairly long compared to other songs. There are a total of 13 in the song's album "The Jane Austen Era". In this album, this song's track order is #13. Based on our statistics, Rage Over A Lost Penny (Rondo A Capiriccia Op. 129)'s popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Rage Over A Lost Penny (Rondo A Capiriccia Op. 129) by The Jane Austen Era having a BPM of 153 with a half-time of 76 BPM and a double-time of 306 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rákóczy March | Arthur Fiedler | A Major | 3 | 11B | 106 BPM | ||
L'Arlésienne Suite No. 2: I. Pastorale. Andante sostenuto assai - Andantino - Tempo I | Georges Bizet, Leonard Bernstein, New York Philharmonic | A Major | 1 | 11B | 133 BPM | ||
Thais: Meditation | Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt | D Major | 1 | 10B | 86 BPM | ||
Romantic Pieces, Op.75, for Violin and Piano - Allegro maestoso (Dvorák) | James Ehnes | D Minor | 1 | 7A | 101 BPM | ||
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice (Allegretto non troppo) | Hector Berlioz, Royal Concertgebouw Orchestra, Sir Colin Davis | D♭ Major | 2 | 3B | 77 BPM | ||
Les Sylphides: 3. Valse | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | G Major | 3 | 9B | 110 BPM | ||
Moment Musical in F Minor, Op. 94, No. 3, D. 780 (arr. for chamber ensemble) | Anonymous , Franz Schubert, Budapest Strings, Bela Banfalvi | F Minor | 0 | 4A | 101 BPM | ||
Lohengrin: Act III: Prelude | Richard Wagner, Kwangchul Youn, Johan Botha, Adrianne Pieczonka, Falk Struckmann, Petra Lang, Eike Wilm-Schulte, Prague Chamber Chorus, North German Radio Chorus, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Semyon Bychkov | G Major | 2 | 9B | 126 BPM | ||
Quintet In A Major Trout - Adante - Tema con varianzioni (Excerpt) | The Jane Austen Era | D Major | 0 | 10B | 112 BPM | ||
Carmen Suite No. 1: I. Aragonaise | Georges Bizet, Slovak Philharmonic, Anthony Bramall | D Minor | 1 | 7A | 112 BPM |
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