James Ehnes made "Romantic Pieces, Op.75, for Violin and Piano - Allegro maestoso (Dvorák)" available on December 6, 2005. The duration of Romantic Pieces, Op.75, for Violin and Piano - Allegro maestoso (Dvorák) is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Romantic Pieces, Op.75, for Violin and Piano - Allegro maestoso (Dvorák)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Romantic Pieces (Dvorak, Janacek, Smetana)". In this album, this song's track order is #4. In terms of popularity, Romantic Pieces, Op.75, for Violin and Piano - Allegro maestoso (Dvorák) is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Romantic Pieces, Op.75, for Violin and Piano - Allegro maestoso (Dvorák) by James Ehnes having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sicilienne and Rigaudon (in the style of Francois Francoeur) | Fritz Kreisler, Joshua Bell, Paul Coker | B Minor | 1 | 10A | 180 BPM | ||
Cello Concerto No. 1 in G Minor, Op. 49: I. Allegro | Dmitry Kabalevsky, Eugene Ormandy, Philadelphia Orchestra | C Major | 2 | 8B | 97 BPM | ||
Introduction and Tarantella, Op. 43 | Pablo de Sarasate, James Ehnes, Eduard Laurel | G Major | 2 | 9B | 114 BPM | ||
Violin Concerto No. 1 In A Minor, Op. 99 (Formerly Op. 77): 3. Passacaglia (Andante) | Dmitri Shostakovich, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | D♭ Major | 1 | 3B | 98 BPM | ||
Violin Sonata No. 1 in D Minor, Op. 75: Allegro molto | Camille Saint-Saëns, James Ehnes, Wendy Chen | D Major | 2 | 10B | 86 BPM | ||
L'Arlésienne Suite No.1: Carillon | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 65 BPM | ||
Korngold -Concerto for Violin and Orchestra in D Major, op.35: II Romance: Andante | Erich Wolfgang Korngold, James Ehnes, Vancouver Symphony Orchestra, Bramwell Tovey | G Major | 1 | 9B | 128 BPM | ||
La Capricieuse - Pietro Guarneri Peter of Mantua, 1698 'Shapiro' | Edward Elgar, Eduard Laurel, James Ehnes | C Major | 0 | 8B | 88 BPM | ||
Paganiniana (Variations) For Violin Solo | Nathan Milstein | A Minor | 1 | 8A | 104 BPM | ||
Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Yo-Yo Ma, André Previn, London Symphony Orchestra | C Minor | 1 | 5A | 109 BPM |
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