Pablo de Sarasate, James Ehnes, Eduard Laurel's 'Introduction and Tarantella, Op. 43' came out on January 1, 2000. With this song being about 5 minutes long, at 5:00, "Introduction and Tarantella, Op. 43" by Pablo de Sarasate, James Ehnes, Eduard Laurel is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wieniawski / Sarasate: Violin Showpieces by James Ehnes. The song's track number on the album is #12 out of 12 tracks. In terms of popularity, Introduction and Tarantella, Op. 43 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Introduction and Tarantella, Op. 43 by Pablo de Sarasate, James Ehnes, Eduard Laurel has a tempo of 114 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Introduction and Tarantella, Op. 43 being at 114 BPM, the half-time would be 57 BPM with a double-time of 228 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Paganini variations: Variation 15 | Eugène Ysaÿe, Laurent Korcia, Haruko Ueda | A Minor | 4 | 8A | 148 BPM | ||
Chaminade: Flute Concertino, Op. 107 | Cécile Chaminade, Emmanuel Pahud, François Leleux, Orchestre de chambre de Paris | D Major | 1 | 10B | 83 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Legende, Op. 17 | Henryk Wieniawski, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | G Minor | 1 | 6A | 89 BPM | ||
Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | C Minor | 0 | 5A | 101 BPM | ||
Bottesini: Double Bass Concerto in B Minor: I. Allegro moderato | Giovanni Bottesini, Wies de Boevé, Joshua Weilerstein, Brussels Philharmonic | E Minor | 2 | 9A | 102 BPM | ||
Saint- Saëns: Introduction and Rondo Capriccioso, Op. 28 | Camille Saint-Saëns, Min Kym | A Minor | 1 | 8A | 90 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: III. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | F Major | 3 | 7B | 164 BPM | ||
Brandenburg Concerto No. 3 in G major, BWV 1048: Allegro | Rudolf Baumgartner | G Major | 6 | 9B | 122 BPM |
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