On November 25, 2013, the song "Paganini variations: Variation 15" was released by Eugène Ysaÿe, Laurent Korcia, Haruko Ueda. With Paganini variations: Variation 15 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Laurent Korcia, Eugène Ysaÿe's "Mister Paganini" album is number 20 out of 21. On top of that, France appears to be the country where this track was created. Based on our statistics, Paganini variations: Variation 15's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Paganini variations: Variation 15 by Eugène Ysaÿe, Laurent Korcia, Haruko Ueda to be Allegro (fast, quick, and bright) because the track has a tempo of 148 BPM, a half-time of 74BPM, and a double-time of 296 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Liebesleid | Itzhak Perlman, Samuel Sanders | A Major | 1 | 11B | 93 BPM | ||
Slavonic Dance No. 2 in E minor, Op. 72 | Boston Symphony Orchestra, Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | E Minor | 1 | 9A | 70 BPM | ||
Chopin: Piano Sonata No. 1 in C Minor, Op. 4: I. Allegro maestoso | Frédéric Chopin, Leif Ove Andsnes | C Minor | 1 | 5A | 76 BPM | ||
Violin Concerto in E Minor, Op. 64, MWV O 14: I. Allegro molto appassionata | Felix Mendelssohn, Ray Chen, Daniel Harding, Swedish Radio Symphony Orchestra | E Minor | 1 | 9A | 98 BPM | ||
Rieding: Violin Concerto No. 2 in B Minor, Op. 35: I. Allegro moderato | Oskar Rieding, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | B Minor | 2 | 10A | 120 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Bazzini: Scherzo fantastique, Op. 25, "La ronde des lutins" | Antonio Bazzini, Itzhak Perlman, Samuel Sanders | E Minor | 4 | 9A | 101 BPM | ||
Handel: Keyboard Suite in G Minor, HWV 432: VI. Passacaille | George Frideric Handel, Itzhak Perlman | G Minor | 2 | 6A | 109 BPM | ||
Etude-Caprice No. 1, Op. 18 | Henryk Wieniawski, Laurent Korcia, Nemanja Radulović | G Minor | 1 | 6A | 83 BPM |
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