"L'Arlésienne Suite No. 2: I. Pastorale. Andante sostenuto assai - Andantino - Tempo I" by Georges Bizet, Leonard Bernstein, New York Philharmonic was released on 1971. With this song being about 5 minutes long, at 5:04, "L'Arlésienne Suite No. 2: I. Pastorale. Andante sostenuto assai - Andantino - Tempo I" by Georges Bizet, Leonard Bernstein, New York Philharmonic is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 18 out of 21 in Bernstein Century - Bizet: Carmen Suites & L'Arlésienne Suites by Georges Bizet, Leonard Bernstein. Based on our statistics, L'Arlésienne Suite No. 2: I. Pastorale. Andante sostenuto assai - Andantino - Tempo I's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'Arlésienne Suite No. 2: I. Pastorale. Andante sostenuto assai - Andantino - Tempo I by Georges Bizet, Leonard Bernstein, New York Philharmonic is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 88 in G Major, Hob. I:88: IV. Finale. Allegro con spirito | Joseph Haydn, Leonard Bernstein, New York Philharmonic | G Major | 5 | 9B | 82 BPM | ||
Carmen Fantasy, Op. 25: II. Lento assai | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | A Minor | 1 | 8A | 82 BPM | ||
Mendelssohn: String Quartet No. 2 in A Minor, Op. 13, MWV R22: III. Intermezzo. Allegretto con moto - Allegro di molto | Felix Mendelssohn, Artemis Quartet | F♯ Major | 0 | 2B | 113 BPM | ||
Symphony No. 5 in D Minor, Op. 47: IV. Allegro non troppo | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | B♭ Major | 4 | 6B | 106 BPM | ||
Borodin - String Quartet No.2 in D major: Scherzo: Allegro | Alexander Borodin, Borodin Quartet | C Major | 2 | 8B | 121 BPM | ||
Carmen, Act II: No.13 Choeur : Vivat! vivat le Torero! (Amis d'Escamillo/Zuniga/Carmen/Frasquita/Mercédès/Moralès) | Georges Bizet, Nicolas Cavallier, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | C Major | 3 | 8B | 59 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 11. G.R.S. (Allegro di molto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | D Major | 3 | 10B | 85 BPM | ||
Schumann: Symphony No. 1 in B-Flat Major, Op. 38, Spring: III. Scherzo (Molto vivace) | Robert Schumann, San Francisco Symphony, Michael Tilson Thomas | D Minor | 1 | 7A | 150 BPM | ||
Die Meistersinger von Nürnberg, WWV 96: Prelude | Richard Wagner, New York Philharmonic, Giuseppe Sinopoli | C Major | 2 | 8B | 87 BPM | ||
Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 1, Scherzo | Felix Mendelssohn, Rotterdam Philharmonic Orchestra, Jeffrey Tate | F Major | 3 | 7B | 88 BPM |
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