A Midsummer Night's Dream, Op.64 / Act 3: "Now, Fair Hippolyta"
Benjamin Britten, John Shirley-Quirk, Helen Watts, Sir Peter Pears, Thomas Hemsley, Heather Harper, Josephine Veasey, London Symphony Orchestra
Britten: A Midsummer Night's Dream
7:24 January 1, 1967
BPM
114
Key
F Major
Camelot
7B

Embed

Share Link

A Midsummer Night's Dream, Op.64 / Act 3: "Now, Fair Hippolyta" - Benjamin Britten, John Shirley-Quirk, Helen Watts, Sir Peter Pears, Thomas Hemsley, Heather Harper, Josephine Veasey, London Symphony Orchestra Information

Acousticness
92%
Danceability
38%
Energy
21%
Instrumentalness
0%
Liveness
16%
Loudness
64%
Speechiness
6%
Valence
17%
Popularity
Loudness
-21.757 dB

Summary

"A Midsummer Night's Dream, Op.64 / Act 3: "Now, Fair Hippolyta"" by Benjamin Britten, John Shirley-Quirk, Helen Watts, Sir Peter Pears, Thomas Hemsley, Heather Harper, Josephine Veasey, London Symphony Orchestra was released on January 1, 1967. Since A Midsummer Night's Dream, Op.64 / Act 3: "Now, Fair Hippolyta" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 10 out of 41 in Britten: A Midsummer Night's Dream by Benjamin Britten, Alfred Deller, Elizabeth Harwood, Choirs Of Downside And Emanuel Schools, London Symphony Orchestra. In terms of popularity, A Midsummer Night's Dream, Op.64 / Act 3: "Now, Fair Hippolyta" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

A Midsummer Night's Dream, Op.64 / Act 3: "Now, Fair Hippolyta" BPM

The tempo marking of A Midsummer Night's Dream, Op.64 / Act 3: "Now, Fair Hippolyta" by Benjamin Britten, John Shirley-Quirk, Helen Watts, Sir Peter Pears, Thomas Hemsley, Heather Harper, Josephine Veasey, London Symphony Orchestra is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.

A Midsummer Night's Dream, Op.64 / Act 3: "Now, Fair Hippolyta" Key

F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Rejoice in the Lamb, Op. 30: Hallelujah from the heart of God by Benjamin Britten, Benedict Giles, Malcolm Green, Simon Wall, Thomas Williams, Iain Farrington, Choir of St. John's College, Cambridge, Christopher RobinsonRejoice in the Lamb, Op. 30: Hallelujah from the heart of GodBenjamin Britten, Benedict Giles, Malcolm Green, Simon Wall, Thomas Williams, Iain Farrington, Choir of St. John's College, Cambridge, Christopher RobinsonF Major07B111 BPM
La Mer, L.109: 3. Dialogue Of The Wind And The Sea by Claude Debussy, Orchestre Symphonique de Montréal, Charles DutoitLa Mer, L.109: 3. Dialogue Of The Wind And The SeaClaude Debussy, Orchestre Symphonique de Montréal, Charles DutoitD♭ Major23B83 BPM
Brandenburg Concerto No. 3 in G, BWV 1048: 1. (Allegro) by Johann Sebastian Bach, English Chamber Orchestra, Benjamin BrittenBrandenburg Concerto No. 3 in G, BWV 1048: 1. (Allegro)Johann Sebastian Bach, English Chamber Orchestra, Benjamin BrittenB♭ Major16B109 BPM
Requiem: I. Requiem Aeternam by Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony Orchestra, Stuart Neill, John RelyeaRequiem: I. Requiem AeternamGiuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony Orchestra, Stuart Neill, John RelyeaA Minor08A85 BPM
Symphonie fantastique, Op. 14, H 48: II. Un Bal by Hector Berlioz, London Symphony Orchestra, Sir Colin DavisSymphonie fantastique, Op. 14, H 48: II. Un BalHector Berlioz, London Symphony Orchestra, Sir Colin DavisA Major111B113 BPM
L'Arlésienne Suite No.1: Adagietto by Georges Bizet, Berliner Philharmoniker, Herbert von KarajanL'Arlésienne Suite No.1: AdagiettoGeorges Bizet, Berliner Philharmoniker, Herbert von KarajanF Major07B112 BPM
Dona Nobis Pacem: Agnus Dei by Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David HillDona Nobis Pacem: Agnus DeiRalph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David HillG Minor16A85 BPM
Spring Symphony, Op. 44, Part I: Introduction. Shine out (chorus) by Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, London Symphony ChorusSpring Symphony, Op. 44, Part I: Introduction. Shine out (chorus)Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, London Symphony ChorusD♭ Major03B98 BPM
The Sword in the Stone Suite (Arr. O. Knussen & C. Matthews): I. Introduction and Boys' Tunes by Oliver Knussen, Colin Matthews, Benjamin Britten, Ohio State University Wind Symphony, Russel C. MikkelsonThe Sword in the Stone Suite (Arr. O. Knussen & C. Matthews): I. Introduction and Boys' TunesOliver Knussen, Colin Matthews, Benjamin Britten, Ohio State University Wind Symphony, Russel C. MikkelsonE Minor29A112 BPM
Holberg Suite, Op. 40: 2. Sarabande (Andante) by Edvard Grieg, Gothenburg Symphony Orchestra, Neeme JärviHolberg Suite, Op. 40: 2. Sarabande (Andante)Edvard Grieg, Gothenburg Symphony Orchestra, Neeme JärviG Major09B75 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.762608528137207

End: 0.7688908576965332