"The Sword in the Stone Suite (Arr. O. Knussen & C. Matthews): I. Introduction and Boys' Tunes" by Oliver Knussen, Colin Matthews, Benjamin Britten, Ohio State University Wind Symphony, Russel C. Mikkelson was released on March 4, 2016. The duration of The Sword in the Stone Suite (Arr. O. Knussen & C. Matthews): I. Introduction and Boys' Tunes is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. The Sword in the Stone Suite (Arr. O. Knussen & C. Matthews): I. Introduction and Boys' Tunes's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Network". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, The Sword in the Stone Suite (Arr. O. Knussen & C. Matthews): I. Introduction and Boys' Tunes is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
With The Sword in the Stone Suite (Arr. O. Knussen & C. Matthews): I. Introduction and Boys' Tunes by Oliver Knussen, Colin Matthews, Benjamin Britten, Ohio State University Wind Symphony, Russel C. Mikkelson having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition - Symphonic transcription by Leopold Stokowski: Ballet of the Unhatched Chicks | Modest Mussorgsky, Cleveland Orchestra, Oliver Knussen | D Major | 2 | 10B | 92 BPM | ||
Requiem Canticles (1965-66): Tuba mirum | Igor Stravinsky, David Wilson-Johnson, London Sinfonietta, Oliver Knussen, New London Chamber Choir | F Major | 3 | 7B | 162 BPM | ||
Carter: Three Occasions for Orchestra: I. A Celebration of Some 150x100 Notes | Elliott Carter, London Sinfonietta, Oliver Knussen | F♯ Major | 5 | 2B | 87 BPM | ||
Katya Kabanova, JW I/8, Act II Scene 2: Introduction | Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra | A♭ Major | 0 | 4B | 79 BPM | ||
Where the Wild Things Are - A Fantasy Opera in One Act, Op. 20: VI. Scene 2, Mama - Scherzo | Oliver Knussen, London Sinfonietta, Rosemary Hardy, Mary King | B♭ Major | 2 | 6B | 141 BPM | ||
Variations on a Theme by Frank Martin, Op. 105: Var. 2, Adagio | Arnold Rosner, London Philharmonic Orchestra, Nick Palmer | C Minor | 1 | 5A | 136 BPM | ||
Hornpipe for Orchestra Extended Version | Luca Schettino | D♭ Minor | 2 | 12A | 75 BPM | ||
Daphnis et Chloé, M. 57, Première Partie. Une prairie à la lisière d'un bois sacré: Vif – | Maurice Ravel, Sinfonia Of London, John Wilson | D♭ Major | 3 | 3B | 86 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): I. Adagio | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM | ||
Chants d'Auvergne, Vol. 1: No. 3a. L'aio De Rotso (Spring Water) | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | G Major | 1 | 9B | 186 BPM |
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