"Giselle / Act 2: No. 15 Grand pas de deux: c) Variation de Giselle" by Adolphe Adam, Wiener Philharmoniker, Herbert von Karajan was released on January 1, 1962. The duration of Giselle / Act 2: No. 15 Grand pas de deux: c) Variation de Giselle is about 3 minutes long, at 3:00. Based on our data, "Giselle / Act 2: No. 15 Grand pas de deux: c) Variation de Giselle" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 18 out of 19 in Adam: Giselle by Adolphe Adam, Wiener Philharmoniker, Herbert von Karajan. Giselle / Act 2: No. 15 Grand pas de deux: c) Variation de Giselle is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Giselle / Act 2: No. 15 Grand pas de deux: c) Variation de Giselle by Adolphe Adam, Wiener Philharmoniker, Herbert von Karajan is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prince Igor / Act 2: Dance of the Polovtsian Maidens | Alexander Borodin, Bavarian Radio Symphony Orchestra, Esa-Pekka Salonen | F Major | 1 | 7B | 100 BPM | ||
The Sleeping Beauty, Op. 66 : Prologue, No.3 Pas de six, Variation III. Miettes qui tombent (Fairy of the Woodland Glade) | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | D Major | 0 | 10B | 66 BPM | ||
Ancient Airs And Dances, Suite No.3, [P. 172]: 1. Italiana | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | B♭ Major | 1 | 6B | 96 BPM | ||
Violin Concerto, Op. 48: I. Allegro molto e con brio | Dmitry Kabalevsky, Neeme Järvi, Royal Scottish National Orchestra, Lydia Mordkovitch | C Major | 2 | 8B | 145 BPM | ||
Adam: Giselle, Act 1: No. 5 Variation I | Adolphe Adam, Terence Kern, London Festival Ballet Orchestra | A Major | 2 | 11B | 77 BPM | ||
Act III: Pas De Deux (Kitri & Basil) (Minkus) | Mariinsky Orchestra | C Major | 2 | 8B | 182 BPM | ||
Handel: Water Music Suite No. 1, HWV 348: Air | George Frideric Handel, Prague Chamber Orchestra, Sir Charles Mackerras | B♭ Major | 0 | 6B | 77 BPM | ||
Emperor Waltz, Op. 437 | Johann Strauss II, Eugene Ormandy | C Major | 1 | 8B | 92 BPM | ||
Carmen Suite: VIII. Bolero (after G. Bizet): Dance | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | B♭ Major | 3 | 6B | 124 BPM | ||
Etudes: VIII. Relevés | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | F Major | 0 | 7B | 76 BPM |
Section: 0.8576419353485107
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