Mariinsky Orchestra's 'Act III: Pas De Deux (Kitri & Basil) (Minkus)' came out on January 1, 2006. The duration of Act III: Pas De Deux (Kitri & Basil) (Minkus) is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Act III: Pas De Deux (Kitri & Basil) (Minkus)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Mariinsky Orchestra's "Minkus: Don Quixote, Victor Fedotov" album is number 15 out of 53. The popularity of Act III: Pas De Deux (Kitri & Basil) (Minkus) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Act III: Pas De Deux (Kitri & Basil) (Minkus) by Mariinsky Orchestra to be Presto (very, very fast) because the track has a tempo of 182 BPM, a half-time of 91BPM, and a double-time of 364 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Giselle: No. 20 - Allegro feroce | Adolphe Adam, London Symphony Orchestra, Michael Tilson Thomas | G Major | 4 | 9B | 124 BPM | ||
Swan Lake, Op. 20 - Mariinsky Version / Act 3: Scène: Interpolation 3 (Allegro moderato) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev | A Major | 1 | 11B | 85 BPM | ||
Giselle (1996 Digital Remaster), Act II, No.15: Albrecht's Variation | Adolphe Adam, Terence Kern/London Festival Ballet Orchestra, Terence Kern, Terrence Kern, London Festival Ballet Orchestra | E♭ Major | 2 | 5B | 184 BPM | ||
Carmen Suite: VIII. Bolero (after G. Bizet): Introduction | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | D♭ Major | 0 | 3B | 99 BPM | ||
The Lady and the Fool - Suite: VI. Pas de deux | Giuseppe Verdi, London Philharmonic Orchestra, Sir Charles Mackerras | F Major | 0 | 7B | 81 BPM | ||
Swan Lake, Op. 20 - Mariinsky Version / Act 1: Scene 2: Scène (Moderato assai) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev | B♭ Major | 0 | 6B | 96 BPM | ||
Le carnaval des animaux, R. 125: X. Volières | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | C Major | 5 | 8B | 100 BPM | ||
Coppélia / Tableau 3: No. 20 Fête de la cloche: 8) Galop final | Léo Delibes, Orchestre de la Suisse Romande, Richard Bonynge | E♭ Major | 5 | 5B | 120 BPM | ||
Prokofiev: Romeo and Juliet, Op. 64, Act 3, Epilogue: Death of Juliet | Sergei Prokofiev, André Previn, London Symphony Orchestra | F Major | 0 | 7B | 84 BPM | ||
Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM |
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