Léo Delibes, Orchestre de la Suisse Romande, Richard Bonynge made "Coppélia / Tableau 3: No. 20 Fête de la cloche: 8) Galop final" available on January 1, 1970. The duration of Coppélia / Tableau 3: No. 20 Fête de la cloche: 8) Galop final is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Coppélia / Tableau 3: No. 20 Fête de la cloche: 8) Galop final's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 33 in Delibes: Coppélia by Léo Delibes, Orchestre de la Suisse Romande, Richard Bonynge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Coppélia / Tableau 3: No. 20 Fête de la cloche: 8) Galop final's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Coppélia / Tableau 3: No. 20 Fête de la cloche: 8) Galop final by Léo Delibes, Orchestre de la Suisse Romande, Richard Bonynge is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition (Orch. Ravel): Promenade I | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F Major | 0 | 7B | 88 BPM | ||
Carmen, Opera Suite No. 1: III. Intermezzo, Act 3 | London Festival Orchestra Alfred Scholz | E♭ Major | 0 | 5B | 134 BPM | ||
Mussorgsky: Pictures at an Exhibition: No. 3, Promenade II (Moderato commodo assai e con delicatezza) | Modest Mussorgsky, Berliner Philharmoniker, Sir Simon Rattle | G Major | 1 | 9B | 87 BPM | ||
Anna Bolena: Sinfonia (Overture) | Gaetano Donizetti, Welsh National Opera Orchestra, Richard Bonynge | E Major | 3 | 12B | 146 BPM | ||
Le carnaval des animaux, R. 125: IX. Le coucou au fond des bois - X. Volière - XI. Pianistes | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | B♭ Minor | 1 | 3A | 114 BPM | ||
La source, ou Naila: Suite No. 2: Suite No. 2: Pas de la Guzla | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Minor | 0 | 8A | 128 BPM | ||
Il Trovatore / Act 2: "Vedi! le fosche notturne spoglie" (Anvil Chorus) | Giuseppe Verdi, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | G Major | 3 | 9B | 130 BPM | ||
The Two Pigeons Act 1 | André Messager, John Lanchbery, Royal Ballet Sinfonia, Barry Wordsworth | A Major | 1 | 11B | 136 BPM | ||
Act I: Sancho Panza & The Maidens (Minkus) | Mariinsky Orchestra | E♭ Major | 4 | 5B | 171 BPM | ||
Le Corsaire: Pas de deux (arr. J. Lanchberry): III. Moderato: Women's Variation | Ludwig Minkus, Riccardo Drigo, John Lanchbery, Sofia National Opera Orchestra, Boris Spassov | G Major | 1 | 9B | 101 BPM |
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