"Carmen, Opera Suite No. 1: III. Intermezzo, Act 3" by London Festival Orchestra Alfred Scholz was released on January 1, 2009. The duration of Carmen, Opera Suite No. 1: III. Intermezzo, Act 3 is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Carmen, Opera Suite No. 1: III. Intermezzo, Act 3's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 12 in Bizet: Carmen, Opera Suite by London Festival Orchestra Alfred Scholz. Based on our statistics, Carmen, Opera Suite No. 1: III. Intermezzo, Act 3's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmen, Opera Suite No. 1: III. Intermezzo, Act 3 by London Festival Orchestra Alfred Scholz is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norma, Акт I, Сцена 1: "Casta Diva" | Vincenzo Bellini, Ансамбль солистов Московской Государственной филармонии "Концертино", Андрей Корсаков, Виктор Козодов | A Major | 4 | 11B | 144 BPM | ||
Gymnopédie No. 1 in D Major: Lent et douloureux | Erik Satie, Charles Gerhardt | G Major | 1 | 9B | 63 BPM | ||
Jazz Suite No. 2: VII. Dance 2 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 2 | 11B | 109 BPM | ||
Thais: Meditation | Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt | D Major | 1 | 10B | 86 BPM | ||
Shylock, Op. 57: V. Nocturne | Gabriel Fauré, RTE Sinfonietta, John Georgiadis | G Major | 0 | 9B | 84 BPM | ||
String Quartet No. 53 in D Major, Op. 64, No. 5, Hob.III:63, "The Lark": II. Adagio - Cantabile | Franz Joseph Haydn, Kodály Quartet | A Major | 1 | 11B | 83 BPM | ||
Water Music Suite No. 1 in F: Air | Berliner Philharmoniker, Riccardo Muti | F Major | 1 | 7B | 73 BPM | ||
Love Theme From "The Valachi Papers" | Ronnie Aldrich and his 2 pianos, The London Festival Chorus, London Festival Orchestra | B Major | 1 | 1B | 71 BPM | ||
Piano Concerto No. 2 in F, Op. 102: II. Andante | Dmitri Shostakovich, Dmitri Alexeev/English Chamber Orchestra/Jerzy Maksymiuk, Jerzy Maksymiuk, English Chamber Orchestra | C Minor | 0 | 5A | 166 BPM | ||
String Quartet No. 2 in D Major: III. Nocturne. Andante (Arr. for Violin & Orchestra) | Alexander Borodin, Frank Brieff, Isaac Stern, Columbia Symphony Orchestra | A Major | 2 | 11B | 102 BPM |
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