Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar made "Carmen Suite: VIII. Bolero (after G. Bizet): Dance" available on October 7, 1994. The duration of Carmen Suite: VIII. Bolero (after G. Bizet): Dance is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Carmen Suite: VIII. Bolero (after G. Bizet): Dance's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Shchedrin: Carmen Suite / Concerto for Orchestra". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Carmen Suite: VIII. Bolero (after G. Bizet): Dance's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Carmen Suite: VIII. Bolero (after G. Bizet): Dance by Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Grande Duchess de Gerolstein, Acte III (Tableau 2): No 19: Entracte et Galop | Jacques Offenbach, Felicity Lott, Sandrine Piau, Yann Beuron, Choeur des Musiciens du Louvre, Les Musiciens du Louvre, Grenoble, Marc Minkowski | D Major | 4 | 10B | 92 BPM | ||
Violin Concerto: III. Allegro con fuoco | Ulvi Cemal Erkin, James Buswell, Istanbul State Symphony Orchestra, Theodore Kuchar | D♭ Major | 1 | 3B | 149 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
The Sleeping Beauty, Ballet Suite, op. 66a: Waltz | New Philharmonia Orchestra London, Lawrence Siegel | B♭ Major | 1 | 6B | 108 BPM | ||
Cinderella Suite No. 3, Op. 109: I. Pavane | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Minor | 2 | 7A | 77 BPM | ||
The Snowstorm: II. Waltz | Georgy Sviridov, Vladimir Fedoseyev, State Academic Large Symphony Orchestra, State academic large symphony orchestra | A Major | 2 | 11B | 70 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Var. 23, L'istesso tempo | Sergei Rachmaninoff, Fanya Lin, Theodore Kuchar, Polish Wieniawski Philharmonic Orchestra | B♭ Major | 4 | 6B | 100 BPM | ||
Carmen Auftritt und Habanera | Rodion Shchedrin, I Cameristi della Scala, Alessandro Ferrari | G Major | 0 | 9B | 123 BPM | ||
In Imitation of Albeniz (Arr. for String Orchestra and Percussion) | Rodion Shchedrin, I Musici de Montréal, Yuli Turovsky | D♭ Major | 1 | 3B | 115 BPM | ||
Carmen, Act III: Entr'acte | Georges Bizet, Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | D Minor | 1 | 7A | 113 BPM |
Section: 0.7894189357757568
End: 0.7937142848968506