Adolphe Adam, Terence Kern, London Festival Ballet Orchestra made "Adam: Giselle, Act 1: No. 5 Variation I" available on November 8, 2010. With Adam: Giselle, Act 1: No. 5 Variation I being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 66 in the song's album "Pas de Deux". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United Kingdom. Adam: Giselle, Act 1: No. 5 Variation I is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Adam: Giselle, Act 1: No. 5 Variation I by Adolphe Adam, Terence Kern, London Festival Ballet Orchestra having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
8 Slavonic Dances, Op.46: No.1 in C (Presto) | Antonín Dvořák, Chicago Symphony Orchestra, Daniel Barenboim | C Major | 2 | 8B | 129 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.5 in A Major (Allegro vivace) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | E Major | 3 | 12B | 142 BPM | ||
Mandolin Concerto in C major, RV 425: I. Allegro | The London Symphony Orchestra and Others | C Major | 4 | 8B | 82 BPM | ||
Bridal Procession, Op. 19 No. 2 | Edvard Grieg, Yuri Temirkanov | A♭ Major | 0 | 4B | 72 BPM | ||
The Talisman. Female Variation | Riccardo Drigo, MetodoVadim | A Minor | 1 | 8A | 93 BPM | ||
La Gioconda / Act 3: Dance Of The Hours | Amilcare Ponchielli, Staatskapelle Dresden, Silvio Varviso | E Major | 0 | 12B | 138 BPM | ||
Grieg: Suite No. 2 from Peer Gynt, Op. 55: I. The Abduction of the Bride - Ingrid's Lament | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | G Minor | 1 | 6A | 98 BPM | ||
Act II: Variation Of The Chief Dryad (Minkus) | Mariinsky Orchestra | G Major | 1 | 9B | 102 BPM | ||
Cinderella, Op.87: 13. Summer Fairy | Sergei Prokofiev, Cleveland Orchestra, Vladimir Ashkenazy | F Major | 1 | 7B | 74 BPM | ||
Giselle: Act I: Marche des vignerons (Grape-Pickers' March) | Adolphe Adam, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 3 | 10B | 115 BPM |
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