Adolphe Adam, Academy of St. Martin in the Fields, Sir Neville Marriner made "Giselle: Act I: Marche des vignerons (Grape-Pickers' March)" available on January 1, 1996. The duration of Giselle: Act I: Marche des vignerons (Grape-Pickers' March) is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Giselle: Act I: Marche des vignerons (Grape-Pickers' March)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 19 in Adam, A.: Giselle [Ballet] by Adolphe Adam, Academy of St. Martin in the Fields, Sir Neville Marriner. In terms of popularity, Giselle: Act I: Marche des vignerons (Grape-Pickers' March) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Giselle: Act I: Marche des vignerons (Grape-Pickers' March) by Adolphe Adam, Academy of St. Martin in the Fields, Sir Neville Marriner is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Giselle: Act I: Loys seul at entree de Giselle - Scene d'amour | Adolphe Adam, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 0 | 9B | 141 BPM | ||
Raymonda, Act III: Variation 1 | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Major | 1 | 10B | 84 BPM | ||
Tausendsapperment-Walzer, Op. 61 | Johann Strauss I, Slovak Sinfonietta Zilina, Christian Pollack | E Major | 1 | 12B | 173 BPM | ||
The Red Poppy, Op. 70: V. Valse | Reinhold Glière, Sir Edward Downes, BBC Philharmonic | D Major | 1 | 10B | 163 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
La fille mal gardée / Act 2: 27. Thomas, Alain And The Notaries | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | A Major | 1 | 11B | 130 BPM | ||
La Sylphide: Act II: Sylph Scene: Divertissement | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | D Major | 0 | 10B | 78 BPM | ||
The Firebird: Scene 1: The Firebird's Lullaby | Igor Stravinsky, City Of Birmingham Symphony Orchestra, Andris Nelsons | B Major | 0 | 1B | 117 BPM | ||
Mendelssohn: Symphony No. 4 in A Major, Op. 90, "Italian": IV. Saltarello (Presto) | Felix Mendelssohn, Christian Thielemann, Munich Philharmonic Orchestra | G Major | 2 | 9B | 74 BPM | ||
Legends, Op. 59, B. 122: VI. Allegro con moto | Antonín Dvořák, Cristian Măcelaru, WDR Sinfonieorchester | C Minor | 1 | 5A | 72 BPM |
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