"Giselle: Act I: Loys seul at entree de Giselle - Scene d'amour" by Adolphe Adam, Academy of St. Martin in the Fields, Sir Neville Marriner was released on January 1, 1996. With this song being about 5 minutes long, at 4:46, "Giselle: Act I: Loys seul at entree de Giselle - Scene d'amour" by Adolphe Adam, Academy of St. Martin in the Fields, Sir Neville Marriner is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 19 in Adam, A.: Giselle [Ballet] by Adolphe Adam, Academy of St. Martin in the Fields, Sir Neville Marriner. Based on our statistics, Giselle: Act I: Loys seul at entree de Giselle - Scene d'amour's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Giselle: Act I: Loys seul at entree de Giselle - Scene d'amour by Adolphe Adam, Academy of St. Martin in the Fields, Sir Neville Marriner is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Paulli: Pas de deux from "Flower Festival in Genzano" (adapted from Matthias Strebinger's "Pas de deux" for "Napoli" Ballet of Bournonville): No. 6, Coda | Edvard Helsted, Holger Simon Paulli, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra | E♭ Major | 2 | 5B | 95 BPM | ||
Eugene Onegin - Waltz | Symphony Orchestra of the Russian State TV & Radio Centre | A♭ Major | 1 | 4B | 118 BPM | ||
Coppelia: Act III - Danse de fete | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 72 BPM | ||
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
Raymonda, Op. 57: Act II - Variation I | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D♭ Major | 0 | 3B | 83 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Giselle: Act I: Retour de la vendange et valse (The Grape-Pickers Return) | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 134 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
Act I: Entree Of Basil, Scene Of Kitri & Basil (Minkus) | Mariinsky Orchestra | A Minor | 0 | 8A | 95 BPM | ||
Don Quixote: Act IV: Quiteria's Variation | Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov | E♭ Major | 1 | 5B | 106 BPM |
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