Reinhold Glière, Sir Edward Downes, BBC Philharmonic's 'The Red Poppy, Op. 70: V. Valse' came out on March 1, 1993. The duration of The Red Poppy, Op. 70: V. Valse is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. The Red Poppy, Op. 70: V. Valse's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Reinhold Glière, Sir Edward Downes, BBC Philharmonic's "Glière: Symphony No. 1 & The Red Poppy" album is number 10 out of 11. On top of that, United Kingdom appears to be the country where this track was created. The popularity of The Red Poppy, Op. 70: V. Valse is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Red Poppy, Op. 70: V. Valse by Reinhold Glière, Sir Edward Downes, BBC Philharmonic to be Vivace (lively and fast) because the track has a tempo of 163 BPM, a half-time of 82BPM, and a double-time of 326 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
" Faust " , Ballettmusik: Nr. 5 Moderato con moto | Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt | A Major | 0 | 11B | 80 BPM | ||
The Gadfly Suite, Op. 97: VIII. Romance | Dmitri Shostakovich, Vassily Sinaisky, BBC Philharmonic | D♭ Major | 0 | 3B | 76 BPM | ||
Brideshead Revisited: No. 11, Venice | Adrian Johnston, Terry Davies, BBC Philharmonic | E♭ Major | 2 | 5B | 105 BPM | ||
The Jester at the Wedding: IV. Valse, "The Dance of the Orange Blossoms" | Eric Coates, John Wilson, BBC Philharmonic | B♭ Major | 1 | 6B | 105 BPM | ||
Giselle / Act 2: Grand pas de deux: Adage | Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E♭ Major | 0 | 5B | 73 BPM | ||
Serenade for strings in E Minor, Op. 20 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 1 | 9A | 81 BPM | ||
String Quartet No. 2 in D Major: III. Nocturne. Andante (Arr. for Violin & Orchestra) | Alexander Borodin, Frank Brieff, Isaac Stern, Columbia Symphony Orchestra | A Major | 2 | 11B | 102 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
Don Quixote: Prologue: Allegro | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | A Minor | 0 | 8A | 128 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM |
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