Antonín Dvořák, Chicago Symphony Orchestra, Daniel Barenboim made "8 Slavonic Dances, Op.46: No.1 in C (Presto)" available on January 1, 1987. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 8 in the song's album "Smetana: The Moldau / Dvorák: Slavonic Dances / Brahms: Hungarian Dances / Borodin: Polovtsian Dances / Liszt: Les Préludes". In this album, this song's track order is #2. Based on our statistics, 8 Slavonic Dances, Op.46: No.1 in C (Presto)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With 8 Slavonic Dances, Op.46: No.1 in C (Presto) by Antonín Dvořák, Chicago Symphony Orchestra, Daniel Barenboim having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on a theme by Haydn, Op. 56a "St. Anthony Variations": Var. I | Johannes Brahms, Pittsburgh Symphony Orchestra, Marek Janowski | B♭ Major | 1 | 6B | 84 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.3 in C sharp major BWV848 | Daniel Barenboim | D♭ Major | 1 | 3B | 95 BPM | ||
Aus aller Herren Landern (From Foreign Lands), Op. 23: I. Russian: Allegretto | Moritz Moszkowski, Markus Pawlik, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 0 | 8A | 87 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM | ||
Tchaikovsky: Symphony No. 6 in B Minor, Op. 74 "Pathétique": III. Allegro molto vivace | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, London Philharmonic Orchestra | E Minor | 1 | 9A | 137 BPM | ||
Les Préludes, symphonic poem No.3, S.97 (after Lamartine) | Franz Liszt, Chicago Symphony Orchestra, Daniel Barenboim | C Major | 1 | 8B | 65 BPM | ||
Cello Concertino in G Minor, Op. 132 (arr. V. Blok): I. Andante mosso | Sergei Prokofiev, Vladimir Blok, Alexander Rudin, Ukraine National Symphony Orchestra, Theodore Kuchar | A♭ Major | 1 | 4B | 88 BPM | ||
Concertstück in F Major, Op. 86: II. Romanze. Ziemlich langsam | Robert Bonnevie, Mark Robbins, David C. Knapp, Scott Wilson, Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | B♭ Major | 0 | 6B | 84 BPM | ||
6 Consolations, S. 172: No. 1 In E Major (Andante con moto) | Franz Liszt, Daniel Barenboim | A Major | 0 | 11B | 88 BPM | ||
Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): III. Tempo giusto | Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Minor | 2 | 8A | 106 BPM |
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