"Les Préludes, symphonic poem No.3, S.97 (after Lamartine)" by Franz Liszt, Chicago Symphony Orchestra, Daniel Barenboim was released on January 1, 1987. Les Préludes, symphonic poem No.3, S.97 (after Lamartine) appears to be safe for all ages as it is not explicit. There are a total of 8 in the song's album "Smetana: The Moldau / Dvorák: Slavonic Dances / Brahms: Hungarian Dances / Borodin: Polovtsian Dances / Liszt: Les Préludes". In this album, this song's track order is #8. Les Préludes, symphonic poem No.3, S.97 (after Lamartine) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les Préludes, symphonic poem No.3, S.97 (after Lamartine) by Franz Liszt, Chicago Symphony Orchestra, Daniel Barenboim having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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