"Violin Concerto In A Minor, D115 "A Lunardo Venier" II. Andante-Cantabile" by Giuseppe Tartini, Nicola Benedetti, Scottish Chamber Orchestra was released on January 1, 2011. With this song being about 5 minutes long, at 5:00, "Violin Concerto In A Minor, D115 "A Lunardo Venier" II. Andante-Cantabile" by Giuseppe Tartini, Nicola Benedetti, Scottish Chamber Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Nicola Benedetti's "Italia" album is number 13 out of 18. In terms of popularity, Violin Concerto In A Minor, D115 "A Lunardo Venier" II. Andante-Cantabile is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Violin Concerto In A Minor, D115 "A Lunardo Venier" II. Andante-Cantabile by Giuseppe Tartini, Nicola Benedetti, Scottish Chamber Orchestra to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spanish Dances, Op. 21: No. 1. Malaguena | Pablo de Sarasate, L. Edvin Csury, Bela Simon | D Major | 1 | 10B | 130 BPM | ||
Suite: Presto | Leoš Janáček, Prague Chamber Orchestra | G Major | 1 | 9B | 84 BPM | ||
Cinderella Suite No. 1, Op. 107: VII. Cinderella's Waltz | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | G Major | 3 | 9B | 194 BPM | ||
Beethoven: Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": III. Presto agitato | Ludwig van Beethoven, Daniel Barenboim | D♭ Minor | 3 | 12A | 77 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Russian Romance: P.Chernyetsky | Mela Tenenbaum | C Minor | 1 | 5A | 81 BPM | ||
Passacaglia for solo violin (Biber) | Heinrich Ignaz Franz von Biber, Masques, Olivier Fortin | F♯ Minor | 1 | 11A | 123 BPM | ||
The Fairy Queen, Z. 629: Prelude | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | F♯ Minor | 4 | 11A | 113 BPM | ||
Paganini: 24 Caprices, Op. 1: No. 6 in G Minor, Lento "The Trill" | Niccolò Paganini, Michaela Paetsch | G Minor | 1 | 6A | 87 BPM | ||
Viola Concerto in C Minor: III. Allegro molto energico | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | G Minor | 3 | 6A | 79 BPM |
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