Mela Tenenbaum's 'Russian Romance: P.Chernyetsky' had a release date set for 1995. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Russian Romance: P.Chernyetsky's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Tea Time". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United States. Russian Romance: P.Chernyetsky is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Russian Romance: P.Chernyetsky by Mela Tenenbaum having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Partita for Violin Solo No. 1 in B Minor, BWV 1002: 4. Double. Presto | Johann Sebastian Bach, Hilary Hahn | B Minor | 5 | 10A | 144 BPM | ||
Melodie from "Orfeo ed Euridice" (Dance of the Blessed Spirits) | Christoph Willibald Gluck, Gil Shaham, Akira Eguchi | D Minor | 1 | 7A | 94 BPM | ||
Violin Concerto No. 2 in D minor Op. 22 (1985 Digital Remaster): III. Allegro con fuoco - Allegro moderato (à la Zingara) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | D Major | 2 | 10B | 74 BPM | ||
Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM | ||
The Last Rose of Summer "Étude No. 6" | Heinrich Wilhelm Ernst, Ruggiero Ricci | G Major | 1 | 9B | 102 BPM | ||
12 Études d'exécution transcendante, S. 139: No. 4 Mazeppa (Presto) | Franz Liszt, Daniil Trifonov | A Major | 3 | 11B | 106 BPM | ||
Gautier: Le Secret | Tenenbaum & Kapp | G Major | 1 | 9B | 107 BPM | ||
Sarabande: Partita No. 1, BWV 1002 | Mela Tenenbaum | B Minor | 1 | 10A | 59 BPM | ||
Sonata in G Minor: I. Largo | Henry Eccles, Amit Peled, Eliza Ching | B♭ Major | 1 | 6B | 173 BPM | ||
Violin Sonata No. 3 in C Major, BWV 1005: I. Adagio | Johann Sebastian Bach, Ilya Kaler | C Major | 0 | 8B | 64 BPM |