Pablo de Sarasate, L. Edvin Csury, Bela Simon's 'Spanish Dances, Op. 21: No. 1. Malaguena' came out on July 15, 2014. With this song being about 5 minutes long, at 5:02, "Spanish Dances, Op. 21: No. 1. Malaguena" by Pablo de Sarasate, L. Edvin Csury, Bela Simon is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 18 in the song's album "Sarasate: Spanish Dances / Caprice Basque / Zigeunerweisen / Carmen Fantasy". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Hungary. Based on our statistics, Spanish Dances, Op. 21: No. 1. Malaguena's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Spanish Dances, Op. 21: No. 1. Malaguena by Pablo de Sarasate, L. Edvin Csury, Bela Simon having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia for Strings in G major, RV 149: I. Allegro molto | Karoly Botvay | D Major | 2 | 10B | 125 BPM | ||
Bolero, Op. 51, No. 3 | Jenő Hubay, David Fruhwirth, Henri Sigfridsson | F Major | 2 | 7B | 74 BPM | ||
Concerto For 2 Harpsichords, Strings, And Continuo In C Minor, BWV 1060 - Arr. For Violin, Oboe, Strings & Continuo: 1. Allegro | Johann Sebastian Bach, Hilary Hahn, Allan Vogel, Los Angeles Chamber Orchestra, Jeffrey Kahane | C Minor | 4 | 5A | 102 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: I. Andante sostenuto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Minor | 2 | 6A | 94 BPM | ||
20 Waltzes (Letzte Waltzer) D 146, Op.127: Valse (Ländler) No.12 | Franz Schubert, Gil Shaham, Göran Söllscher | G Major | 1 | 9B | 79 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | B♭ Major | 0 | 6B | 108 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
Serenade andalouse, Op. 28 | Pablo de Sarasate, Tianwa Yang, Markus Hadulla | B♭ Major | 1 | 6B | 134 BPM | ||
Duetto amoroso, Op. 63, MS 11 | Niccolò Paganini, Scott St. John, Simon Wynberg | E Minor | 1 | 9A | 86 BPM |
Section: 0.6393849849700928
End: 0.6435425281524658