John Cage, Floraleda Sacchi made "A room (Two Pieces for Harp) - 1942" available on January 1, 2008. With A room (Two Pieces for Harp) - 1942 being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Floraleda Sacchi's "Minimal Harp" album is number 3 out of 18. On top of that, Italy appears to be the country where this track was created. A room (Two Pieces for Harp) - 1942 is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of A room (Two Pieces for Harp) - 1942 by John Cage, Floraleda Sacchi to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Hours: Escape! (Arr. Michael Riesman) | Philip Glass, Valentina Lisitsa | A Minor | 0 | 8A | 184 BPM | ||
Images: Interlude 5 | Howard Skempton, Marielle Labèque | E Major | 0 | 12B | 80 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: III. A tempo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | B♭ Minor | 1 | 3A | 86 BPM | ||
Bagatellen: II | Valentin Silvestrov | A Major | 0 | 11B | 67 BPM | ||
Images: Interlude 4 | Howard Skempton, Marielle Labèque | F♯ Major | 0 | 2B | 102 BPM | ||
4 Postludes for Piano & String Orchestra: No. 2. Moderato, con moto (poco rubato) | Valentin Silvestrov, Elisaveta Blumina, Stuttgart Chamber Orchestra, Thomas Sanderling | F♯ Major | 0 | 2B | 78 BPM | ||
Set of 5 Take-offs: Song Without (Good) Words | Charles Ives, Joel Sachs, Continuum | C Major | 0 | 8B | 104 BPM | ||
Vater unser im Himmelreich, BWV 737 | Johann Sebastian Bach, Phantasm | D♭ Minor | 0 | 12A | 113 BPM | ||
Three Pieces in Olden Style: 1. (Untitled) | Henryk Górecki, Johannes Fritzsch, Tasmanian Symphony Orchestra | A Minor | 0 | 8A | 96 BPM | ||
The Time Curve Preludes: No. 17 | William Duckworth, Marielle Labèque | F♯ Major | 0 | 2B | 66 BPM |
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