"Three Pieces in Olden Style: 1. (Untitled)" by Henryk Górecki, Johannes Fritzsch, Tasmanian Symphony Orchestra was released on September 8, 2017. The duration of Three Pieces in Olden Style: 1. (Untitled) is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Three Pieces in Olden Style: 1. (Untitled)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johannes Fritzsch, Tasmanian Symphony Orchestra, Tamara-Anna Cislowska's "Into Silence: Pärt | Vasks | Górecki | Pelēcis" album is number 7 out of 18. In terms of popularity, Three Pieces in Olden Style: 1. (Untitled) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Three Pieces in Olden Style: 1. (Untitled) by Henryk Górecki, Johannes Fritzsch, Tasmanian Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Preludes for Violin and Piano, Op. 46: No. 8 Andante | Lera Auerbach, Daniel Hope, Jacques Ammon | D Major | 0 | 10B | 82 BPM | ||
From Jewish Life, B. 55: II. Supplication | Ernest Bloch, Sol Gabetta | E Major | 1 | 12B | 46 BPM | ||
11 Gates: No. 1. Drifting into D Major | Anders Hillborg, Royal Stockholm Philharmonic Orchestra, Esa-Pekka Salonen | G Major | 1 | 9B | 85 BPM | ||
Kleines Requiem für eine Polka, Op. 66: IV. Adagio - Cantabile | Henryk Górecki, I Fiamminghi (The Orchestra of Flanders), Rudolf Werthen | D♭ Major | 0 | 3B | 88 BPM | ||
The Lark Ascending: I. Andante sostenuto | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | E Minor | 0 | 9A | 91 BPM | ||
Arcadiana, Op. 12: VI. O Albion | Thomas Adès, Signum Quartet | E♭ Major | 0 | 5B | 72 BPM | ||
Just Walk Beside Me | Tasmanian Symphony Orchestra, Graeme Koehne | D Minor | 3 | 7A | 78 BPM | ||
Oboe Concerto, Op. 20: II. Andante | Ruth Gipps, Juliana Koch, BBC Philharmonic, Rumon Gamba | A Minor | 1 | 8A | 120 BPM | ||
Bizet: Petite suite from "Jeux d'enfants", Op. 22, WD 39: IV. Duo "Petit mari, petite femme" | Georges Bizet, Seiji Ozawa, Orchestre National De France | B♭ Major | 0 | 6B | 117 BPM | ||
Matty Drawing | Balanescu Quartet | A Minor | 0 | 8A | 68 BPM |
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