"11 Gates: No. 1. Drifting into D Major" by Anders Hillborg, Royal Stockholm Philharmonic Orchestra, Esa-Pekka Salonen was released on August 2, 2011. With 11 Gates: No. 1. Drifting into D Major being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Anders Hillborg, Esa-Pekka Salonen, Sakari Oramo, Alan Gilbert's "Hillborg: Eleven Gates" album is number 4 out of 14. 11 Gates: No. 1. Drifting into D Major is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 11 Gates: No. 1. Drifting into D Major by Anders Hillborg, Royal Stockholm Philharmonic Orchestra, Esa-Pekka Salonen to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Preludes for Violin and Piano, Op. 46: No. 15 Adagio sognando | Lera Auerbach, Daniel Hope, Jacques Ammon | A♭ Major | 0 | 4B | 72 BPM | ||
Rissolty Rossolty | Ruth Crawford Seeger, Schönberg Ensemble, Oliver Knussen | F Major | 3 | 7B | 117 BPM | ||
Musica ricercata: No. 7, Cantabile, molto legato | György Ligeti, Pierre-Laurent Aimard | B♭ Major | 0 | 6B | 110 BPM | ||
Alborada del gracioso, M. 43: Assez vif | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | D Major | 1 | 10B | 121 BPM | ||
Grand Pianola Music: Pt. IB | John Adams | E Major | 0 | 12B | 72 BPM | ||
Trois Mélodies: Élegie | Erik Satie, Barbara Hannigan, Reinbert de Leeuw | B Major | 0 | 1B | 88 BPM | ||
Stimmung: Model 1 | Karlheinz Stockhausen, Paul Hillier, Theatre Of Voices | D Minor | 0 | 7A | 66 BPM | ||
Scenes de la foret, Op. 123: No. 1. Nocturne | Mel Bonis, Tatjana Ruhland, Florian Wiek, Stuttgart Radio Symphony Orchestra, members | A♭ Major | 0 | 4B | 131 BPM | ||
Perduto in una citta d'acque | Salvatore Sciarrino, Florian Hoelscher | C Major | 0 | 8B | 139 BPM | ||
Annelies (chamber version): I. Introit - Prelude | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | C Minor | 1 | 5A | 84 BPM |
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