Albert Lortzing, Monika Krause, Josef Protschka, Heinz Kruse, John Janssen, Christine Hampe, Andreas Schmidt, Ingeborg Most, Klaus Hager, Günter Wewel, Dirk Schortemeier, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Kurt Peter Eichhorn's 'Undine: Act I: Chorale: Zuchtig Brautlein, darfst erscheinen (Chorus)' came out on January 1, 2005. The duration of Undine: Act I: Chorale: Zuchtig Brautlein, darfst erscheinen (Chorus) is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Undine: Act I: Chorale: Zuchtig Brautlein, darfst erscheinen (Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Albert Lortzing, Monika Krause, Kurt Peter Eichhorn's "Lortzing, A.: Undine [Opera]" album is number 8 out of 37. On top of that, United States appears to be the country where this track was created. Based on our statistics, Undine: Act I: Chorale: Zuchtig Brautlein, darfst erscheinen (Chorus)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Undine: Act I: Chorale: Zuchtig Brautlein, darfst erscheinen (Chorus) by Albert Lortzing, Monika Krause, Josef Protschka, Heinz Kruse, John Janssen, Christine Hampe, Andreas Schmidt, Ingeborg Most, Klaus Hager, Günter Wewel, Dirk Schortemeier, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Kurt Peter Eichhorn to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La bola de cristal | Juan Pablo Fernández Ramos | G Minor | 1 | 6A | 80 BPM | ||
A Midsummer Night's Dream, Op. 61: No. 11, "Ein Tanz von Rübeln". Allegro di molto | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi, Katharina Konradi, Sophia Burgos | E Major | 1 | 12B | 72 BPM | ||
Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Vorspiel | Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks | A Major | 1 | 11B | 38 BPM | ||
Grande Messe des Morts: Introduzione: Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Major | 0 | 8B | 64 BPM | ||
Undine: Act I: Romance and Duet: Ich ritt zum grossen Waffenspiele (Hugo, Undine) | Albert Lortzing, Monika Krause, Josef Protschka, Heinz Kruse, John Janssen, Christine Hampe, Andreas Schmidt, Ingeborg Most, Klaus Hager, Günter Wewel, Dirk Schortemeier, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Kurt Peter Eichhorn | A♭ Major | 2 | 4B | 114 BPM | ||
Zar und Zimmermann - Komische Oper in drei Aufzügen, 2. Aufzug: Dialog | Albert Lortzing, Heinz Fricke, Muenchner Rundfunkorchester, Munich Radio Orchestra, Münchner Rundfunkorchester/Heinz Fricke | D♭ Major | 2 | 3B | 81 BPM | ||
Der Zarewitsch: Es steht ein Soldat am Wolgastrand (Wolgalied) | Fritz Wunderlich, Alois Melichar | B♭ Major | 2 | 6B | 96 BPM | ||
Akt I: Durch Mitleid wissend | Richard Wagner, Stefan Cerny, Philippe Jordan | A♭ Major | 1 | 4B | 76 BPM | ||
Isabella: Overture | Franz von Suppé, Neeme Järvi, Royal Scottish National Orchestra | A Major | 2 | 11B | 99 BPM | ||
5 German Dances with 7 Trios and Coda, D. 89: No. 1, German Dance in C Major | Franz Schubert, Daniel Hope, Zürcher Kammerorchester | C Minor | 0 | 5A | 96 BPM |
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