"Akt I: Durch Mitleid wissend" by Richard Wagner, Stefan Cerny, Philippe Jordan was released on March 1, 2024. Since Akt I: Durch Mitleid wissend is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Parsifal by Richard Wagner, Jonas Kaufmann. The song's track number on the album is #5 out of 43 tracks. Based on our data, United States was the country where this track was produced or recorded. Akt I: Durch Mitleid wissend is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Akt I: Durch Mitleid wissend by Richard Wagner, Stefan Cerny, Philippe Jordan has a tempo of 76 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Akt I: Durch Mitleid wissend being at 76 BPM, the half-time would be 38 BPM with a double-time of 152 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Bürger als Edelmann – suite, Op. 60: VI. Courante | Richard Strauss, Norwegian Chamber Orchestra, Terje Tonnesen | G Major | 0 | 9B | 82 BPM | ||
Les 7 paroles du Christ: 5e Parole - "Sitio" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | B♭ Minor | 1 | 3A | 141 BPM | ||
Symphony No. 2, Op. 52, "Lobgesang": VII. Chor: Die Nacht ist vergangen | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi, Zürcher Sing-Akademie, Florian Helgath | E Major | 1 | 12B | 72 BPM | ||
Das Rheingold, WWV 86A / Erste Szene: "Haltet den Räuber!" | Richard Wagner, Edda Moser, Helen Donath, Anna Reynolds, Berliner Philharmoniker, Herbert von Karajan | G Minor | 0 | 6A | 98 BPM | ||
Symphony No. 4, Op. 90, "Italian": IV. Saltarello. Presto | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation XIII. Romanza. Moderato. "* * *" | Edward Elgar, Sir John Barbirolli, Philharmonia Orchestra | C Minor | 0 | 5A | 86 BPM | ||
Le maçon, S. 13 (Excerpts): Entr'acte to Act III | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | G Major | 0 | 9B | 95 BPM | ||
Grieg: 4 Symphonic Dances, Op. 64: I. Allegro moderato e marcato | Edvard Grieg, Paavo Berglund, Bournemouth Symphony Orchestra | E♭ Minor | 1 | 2A | 110 BPM | ||
Die Meistersinger Von Nurnberg (The Mastersingers Of Nuremberg): Wach Auf! | Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Richard Wagner | G Major | 2 | 9B | 112 BPM | ||
Das Rheingold / Erste Szene: "Weia! Waga! Woge du Welle!" | Richard Wagner, Hetty Plümacher, Oda Balsborg, Ira Malaniuk, Gustav Neidlinger, Wiener Philharmoniker, Sir Georg Solti | C Minor | 2 | 5A | 70 BPM |
Section: 0.6615138053894043
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